A Quote by Daphne du Maurier
What about the hero of The House on the Strand? What did it mean when he dropped the telephone at the end of the book? I don't really know, but I rather think he was going to be paralysed for life. Don't you?
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Heroine: Girl in a book who is saved from drowning by a hero and marries him next week, but if it was to be over again ten years later it is likely she would rather have a life-belt and he would rather have her have it. Hero: Person in a book who does things which he can't and girl marries him for it.
Giving my life to you may mean leading a very ordinary life or it may mean leading an extraordinary life. It may mean having a family and a career or it may mean going beyond all that to just work for others. It's hard to say. Rather than making a decision myself, I'm going to give my life to you, to do with as you will, because I know that you are my self, you are my very being.
And I think at the end of my life, it's not going to be about what I did for myself, but what I did for others. Maybe it's staying after practice to do hand signals with the guys to help them get caught up to speed. To make it about others - I think that's what leadership is all about, quarterbacking is all about.
If you really stop to think about it, the last really big guitar hero was Eddie Van Halen, and that was back in the '80s - early '80s, you know what I mean? That's a long time ago.
Cus was my father but he was more than a father. You can have a father and what does it mean?—it doesn't really mean anything. Cus was my backbone . . . . He did everything for my best interest . . . . We'd spend all our time together, talk about things that, later on, would come back to me. Like about character, and courage. Like the hero and the coward: that the hero and the coward both feel the same thing, but the hero uses his fear, projects it onto his opponent, while the coward runs. It's the same thing, fear, but it's what you do with it that matters.
I think there's this great disconnect between youth culture and politics, which is a product of how our capitalist system works. I mean, a lot of the kids I know are really politically involved. They really care about politics. I think we're going to have an incredible impact on how politics end up shaking this country.
It's really, really eclectic. It's not a business book [Girlboss], but it's still a book that should make you want to get up and do things and think about your life. And for a book that looks that beautiful on a coffee table, I think that's a very special thing. So it's hopefully a new genre I guess, of book. It was so fun to put together and fun to write, that was really a pleasure.
You know I enjoy modeling but at the end of the day it's a little bit mindless. I mean I was that person that would come home from a modeling job and have to clean the house because I sort of felt like, what the heck did I do today? You know I mean I'm like woo-hoo, I'm changing the world in these blue high heels and a string bikini.
I mean I don't really think about it. You know, do you know what I often say to myself? I think you're very lucky in life if you know what you want to do.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."
At the end of the day it's going to hurt your feelings if someone says something mean about you, but I've learned to take a step back and ask myself if it's really going to affect me, if this person who I'm never going to know or meet doesn't like me - and it doesn't.
Stories are webs, interconnected strand to strand, and you follow each story to the center, because the center is the end. Each person is a strand of the story.
The one test I have for every completed book is if I feel head over heels in love with the hero. If he hasn't stolen my heart from the previous hero, I know the book isn't right.
I never outline. I don't work from an outline. I have no idea where the book is going. I mean, even two-thirds of the way through, I don't know how it's going to end.
It's really irritating when you open a book, and 10 pages into it you know that the hero you met on page one or two is gonna come through unscathed, because he's the hero. This is completely unreal, and I don't like it.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
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