A Quote by Dario Argento
My mother was a famous photographer for actresses, including Sophia Loren, Gina Lollobrigida, and so many. I remember I went to school close to my mother's studio, and for years, I went to the studio after school and just watched how she captured these beauties.
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There was a recording studio in my school, and I knew this kid who had a key, so I'd write lyrics in school while I was in class, and then, in a 10-minute break, I recorded the song 'Hurt' in one go at the school studio.
Your mother calls and says she hasn't seen you for a long time. The first year: You invite her for a week. You give her your room, and you both sleep on the lumpy studio couch. The fifth year: Your mother sleeps on the lumpy studio couch. The tenth year: You send the children to mother.
My mother, she smiles when I come around now. My daughter's eatin' decent meals and she's in private school. She's 4 years old. She started school. It's a beautiful thing.
Certainly there are dozens of over-50 actresses who look great: Sophia Loren, Susan Sarandon, Ursula Andress, Stefanie Powers, Raquel Welch, Barbara Eden, Joanna Lumley, Linda Gray - the list is endless, and these are just the actresses! I have many friends in their 60s, 70s and 80s, not in the limelight, but who all look absolutely stunning.
With just an elementary school education, my father worked as a short order cook for forty years before retirement. He liked to boast that his kitchen 'never failed an inspection.' For the same forty years, my mother worked tirelessly as a housekeeper for a group of families in the affluent communities of Studio City and Sherman Oaks.
How can a child adhere to school and the notion of secularism when they see their mother rejected from a school outing, stigmatized, left on the sidelines, just because she has a scarf on her head?
As a young girl, I watched my mother hand-stitch thobes while sitting on the floor with a lamp at her side. She would make the small designs of flowers and different shapes. Just thinking about it brings up so many memories of my mother and how proud she was of being Palestinian.
When I decided to go to art school, it wasn't necessarily something I thought I needed. No one talked about graduate school when I was an undergrad. I went on to a residency at the Studio Museum in Harlem, and that transition from Yale to the Studio Museum, that was the real beginning of my professional career.
I was never exposed to art school. I grew up in an artist's studio. I was exposed a lot of studio time between of my father and a great painter I studied with in Barcelona. That was my art school, as Europe was.
My first banjo? My mother's sister, my aunt, lived about a mile from where we did, and she raised some hogs. And she had - her - the hog - the mother - they called the mother a sow - of a hog. And she had some pigs. Well, the pigs were real pretty, and I was going to high school and I was taking agriculture in school. And I sort of got a notion that I'd like to do that, raise some hogs. And so my aunt had this old banjo, and my mother told me, said, which do you want, the pig or a banjo? And each one of them's $5 each. I said, I'll just take the banjo.
When my father left us, my mother went back to school immediately. She went to school in the day while we were at school, and she worked at night. She worked very hard to never let someone define her as a victim or a failure.
Do you know how many men that are out of work that just stand around on the corner just watching your daughters coming home from school? Today, with the hormonal things that they are putting in foods, these hormones, when you eat the meat, you'll find a nine-year-old daughter with breasts bigger than her mother's, hips wider than her mother's - and men haven't got anything to do but sit and watch you go and come from school.
My sophomore year at high school, I spent $300 I had earned working at After School Matters for my first studio session. For a 16-year-old to sacrifice that much money was pivotal. It spoke a lot about how serious I was.
I went to school in Tanzania for two years, from five to seven. I started off in my mother's school with a lot of African children - but then I was put into the international school.
My mother graduated from high school in 1969, and on January 3, 1971, she gave birth to me. She was married later that year, but by the time I was 10, she was a divorced single mother of two young boys. To make ends meet, we moved in with my grandparents, who were also housing two of my mother's siblings and their kids.
My mother was told she couldn't go to medical school because she was a woman and a Jew. So she became a teacher in the New York City public school system.
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