A Quote by Darren Aronofsky

I spent about a year and a half doing technical post work on 'The Fountain'. Although I do like the process, I think my favorite part of filmmaking is the actors. — © Darren Aronofsky
I spent about a year and a half doing technical post work on 'The Fountain'. Although I do like the process, I think my favorite part of filmmaking is the actors.
My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
My work on titles was a marvelous opportunity to learn about filmmaking. I think I touched on just about every aspect of the process, both creative and technical. And I worked with many wonderful people.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
I work almost completely year-round, since I was 18 or 19. It's nine months a year, and then you're out of town, (there are) crazy hours and all of the things that go with filmmaking, which is a pretty all-consuming business, although I'm very blessed to be a part of it.
Although some people are under the impression that John and I spent our entire year-and-a-half together in L.A., we spent only about seven months there, from September 1973, with many long breaks back in New York.
I love to not work. I love to go to the movies, I like to travel... I think I work maybe half the year. Sometimes, people think I've done three films in a year, but it's because I did a participation [cameo?] in a film. But I work for half a year, no more.
What's important in the filmmaking process has stayed the same. Keep it small, keep it personal, keep it authentic, work with people you like and trust. That process is much longer than the filmmaking process. The development process is a long one, so try and say something of importance.
And I think my daughter knows now that our life is split in two. Half of the year is spent with Mommy working and the other is spent with no work in sight.
My attention is more on the technical process of filmmaking; I like to observe cinematography and direction.
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
I've been married for 17 years and you know how the actors say, "It's really technical. Those scenes are not sexy. They're just so technical. It's like work." And I'm like, "That's bullshit."
I love actors, and I'm passionate about the creative process of acting and filmmaking.
I love filmmaking when fate is a part of the process and you are dependent on the laws of physics and the elements to get a single moment that transports or in some way creates an illusion even for a moment. I think that is tremendous fun and what I think filmmaking is, catching lightning in a bottle.
The '80s were a time of technical wonder in filmmaking; unfortunately, some colleges didn't integrate their film and theater departments - so you had actors who were afraid of the camera, and directors who couldn't talk to the actors.
I feel like I'm still learning a lot. I think there's a tendency for people who are just doing their first couple of films that I see now where they seem to be really resentful of the technical limitations that come along with filmmaking.
The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
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