A Quote by David Ayer
The hardest thing, as a director, is that it's never right. Nothing you do is ever right. It's never exactly how you envision it. Making a movie is about making it better.
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Everybody has to be accountable on every play. The main thing is that we have to do our job. Going through all of the keys, making sure we are making the right reads, blocking the right person and getting the right route depth. Everything.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
You get to use everything you learned in movie business. You talk to actors, if you do it right - and I haven't always done it right - you should be shaping the material all the time. And the other thing is, you get all the blame when you direct and it doesn't work. You get slammed. So that's another reason to know what you're making, why you're making it, and make it the way you want.
I have to say that whatever decisions I make, I really do think that movie making is a director's medium. They are the people that ultimately shape the film, and a director can take great material and turn it into garbage if they are not capable of making a good movie.
Just think about it, be honest, how many groups have you heard of in the last five or six, seven, eight years that you never heard of playing live? You never heard of them making a record. You never heard of them in anybody else's band, and all of a sudden they're the biggest thing going. That to me, that's to me social media music. I'm not saying it's right or it's wrong but it is what it is.
I thought society would do the right thing. Now I look around and I think -- society never does the right thing. Sometimes people do the right thing. Sometimes one person makes a difference. But civilization has rules, and I've learned them well -- never be helpless, never be sick, never be poor.
I definitely pay attention to details. I think one of the hardest things about making a movie is that it can be scrutinized over and over again. If anything just isn't right, it's going to take you out of the film.
I was focused on The Hunger Games movie with my director, with the studio, and with the cast and crew. We all just focused on making the best possible movie we could, and earning the right to do more.
My approach has always been to put 100% into the movie I'm making right now. I think sometimes filmmakers put too much thought into the grand franchise they're going to build. And guess what? If the first movie doesn't work there is no franchise, so I'm always concentrated on making the best, best possible movie right now.
When you get in situations where you cannot afford to make a mistake, it's very hard to do the right thing. So if you're trying to do the right thing, the right thing might be to eliminate the cost of making a mistake rather than try to guess what's right.
The thing is, don't get me wrong, I still love scoring and I hate to lose but now I see myself more as making players play better. Sometime you do what you have to do and you have to perform, that is still there, but in my mind I am thinking about making the guys around me play better and that is never an easy thing to do.
In the end, whether I write the script or, in this case, somebody else did, there's a point where you let it go when you're making a movie. You just have to. The thing that you shoot is not what you imagined in your head - it never is exactly that. And it shouldn't be.
Never let making a profit stand in the way of doing the right thing.
I never stop making sure that what I say is the best of what could be said about a particular thing. It's a constant evolution. If I planted a tree one way yesterday, and somebody tells me of a better way to plant a tree, I think, 'You know, they're right, that's better.' Then I change my way to accommodate the new way of planting trees.
The script is so key to making a good movie. But everything is against you when you're making a movie: the logistics of putting a crew out where you need to go, whether the light is fading; if the weather's not right, something's wrong.
These people who can see right through you never quite do you justice, because they never give you credit for the effort you're making to be better than you actually are, which is difficult and well meant and deserving of some little notice.
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