A Quote by David Ayer

I like to do stuff real and practical and in camera, as much as possible. I like old school filmmaking. — © David Ayer
I like to do stuff real and practical and in camera, as much as possible. I like old school filmmaking.
I could go old-school; I listen to a lot of old-school music, like Teddy Pendergrass, the Temptations, people like that. I'm an old-school dude, and I'm vibin' with stuff like that to clear my mind. I like listening to that old-school music.
I am semi-ambivalent about being on camera - sort of low-key. I don't like being on camera stuff that much. I like radio and live performing stuff. I don't like the television stuff as much. Some people do. It takes a certain breed of cat. There is a ton of pressure and you need to read cue cards. I am not a good cue card reader. Being a poor reader was enough to make me not want to do that type of formatted show.
I take my camera pretty much everywhere and try to get the most diverse photos possible, since I get to travel to all the greatest cities in the country and see iconic architecture and things like that. I also like racing photos - like motorcycles, cars, stuff like that.
The real mariachis in Mexico are singers like Agustin Lara and Pedro Infante and Jorge Negrete - the Golden Era of Mexican Filmmaking. Mariachis sing very soft and very beautiful. That's old-school mariachi. They are caressing the songs.
I like my R&B, my hip-hop. But I'm old school, I don't like a lot of new stuff. Though I do like a little bit of Meek Mill. He kind of sounds angry when he's rapping so I like that part of the game.
I was always big. I was kind of around this size, like, since I went into high school. I played rugby and stuff like that. So, people, you know, would screw with me, but I never got into, like, a real fight or anything like that.
Flea and Anthony are into funk, like old school Meters and stuff like that.
Here's the thing: I come from a filmmaking background, so this concept of sort of overseeing a television show but not directing was, in general, not weird, but I had to get used to what that felt like. My initial instinct was, 'I want to direct as much of this as possible.' But the logistics of making of TV, that's just not possible.
I was very stale at Fox. Much of it was my own fault. I was lazy and didn't fight for things I wanted to do at other times. Most of my stuff consisted of setup/punchline jokes to the camera - a very old-school approach. I was part of the establishment, I guess.
Facing this stuff, in real life is not like school, in school, if you make a mistake you can just try again tomorrow, but out there...when your a second away from being murdered or watching a friend die right before your eyes...you don't know what that's like.
I like doing as many special effects in camera, as much as possible.
I'm starting to withdraw from [technology] as much as I can. I don't do much of the social media stuff. Like, if I'm on Facebook, it changes my relation to the real world in a way that makes me feel sick - almost like I've had too much sugar or something.
Funny, reely," he said. "You spend your whole life goin' to school and learnin' stuff, and they never tell you about stuff like the Bermuda Triangle and UFOs and all these Old Masters running around the inside of the Earth. Why do we have to learn boring stuff when there's all this brilliant stuff we could be learnin', that's what I want to know.
I don't ever want to do a movie where you shoot it on a motion capture stage. I just don't like taking the reality out of it. I like being on the set in real environments. I don't like shooting on green screen. I think it gives the actors so much more to play with when there's real stuff happening on the set.
I feel like the beauty of this age of filmmaking is that there are more tools at your disposal, but it doesn’t mean that any of these new tools are automatically the right tools. And there are a lot of situations where we went very much old school and in fact used CG more to remove things than to add things.
I look very different on camera compared with how I do in real life. On camera, I look my best when everything is enhanced, especially my eyes - I like a smoky eye. In real life, I like myself best in tinted moisturiser, lip balm and mascara.
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