A Quote by David Ayer
The worst part of directing is always seeing the first assembly. It's devastating. It really is. It's like going into the delivery room and you can't wait to see your baby, and it's a crocodile.
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In a first pregnancy, you don't have a child yet, so you can nap and see movies and exercise. The notion of 'baby' is abstract. You look at the ultrasound and don't really understand that the creature you're seeing is soon going to be your roommate.
When a book comes from the publisher and you see it for the first time... Of course it's not remotely like seeing a baby for the first time, but I can remember with each book what room I was in when I opened it. That would be excitement, though, I think. Not pride.
I'm not sure if my husband is going to be there when I actually have the baby. He said the only way he's going to be in the room when there's a delivery is if there's a pizza involved.
Going to directing wasn't a reaction away from acting as much as it was a move towards something I always wanted to do. Ever since I was a kid, I was interested in the camera and how it worked and why one director would place it in this part of the room and then another would place it in that part of the room.
Seeing your work in something animated, you realize how little you have to do with all of it. It's always a surprise, and its always exciting to see. You never know what is going to happen when you're in that room by yourself.
The first time when you can really get a sense of what the movie is going to look and feel like is when you're in a casting room and seeing it.
I was in rehearsal and reading the script and I was like, 'Wait, wait, wait, wait. I think I'm related to Data,' which was crazy but that was really cool. Going back to watch' Next Generation' and getting to see Brent doing his thing and just how incredible he was and it was obvious to see why he was such a beloved character.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
Baby's room should be close enough to your room so that you can hear baby cry, unless you want to get some sleep, in which case baby's room should be in Peru.
For me, I like to imagine being successful. I like to imagine the end, which is success. I envision it, where I can actually see it happening. Going into the ring, seeing the fight happen, seeing me winning that belt, seeing me back in my dressing room celebrating with a slice of cake, which I always had. And the same with meetings. I do prepare though; that confidence comes from preparation, because that fear is in the back of your head of not doing well, of not saying the right thing or having the right information. That's where the preparation comes in for me.
Adrian Ivashkov: "Rose Hathaway, I can't wait to see you again. If you're this charming while tired and annoyed and this gorgeous while bruised and in ski clothes, you must be devastating at your peak." Rose Hathaway: "If by 'devastating' you mean that you should fear for your life, then yeah. You're right.
It's like, you know how sometimes you see a really sexy baby? Wait.
I think directing a film is like a woman going through labour. After she goes through the labour pain and delivers her first baby, she says she will not going to have another baby. Then, when she sees the child growing up, she decides to have one more child!
I've always felt like I'm Asia: I'm the first me and I'm the first Asia that's going to walk into the room, and I'm here to change the game. That's part of who I am.
Always dress like you're going to see your worst enemy.
Very quickly I realized that directing is a combination of things: It's visual, it's directing the actors, it's telling a story. And people don't always mention this part of directing, but it's also knowing how to really edit something into something that makes sense.
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