A Quote by David Ayer
You hear again and again that audiences want to see movies that are different and critics say we [directors] make the same thing again and again in Hollywood, then you go and make something different and you get kicked in the gut for it.
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You hear again and again that audiences want to see movies that are different, and critics say we make the same thing again and again in Hollywood, then you go and make something different, and you get kicked in the gut for it.
The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
Because when you work with a different team, the expectations are different and then you deliver in a very different way. You look back at it and you're proud of yourself. And when the same people come in and you do the same thing, it's boring. You could re-envision it again and again but when the new chemistry of ideas comes in, something happens as a team.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
Being a mother is a little like 'Groundhog's Day.' It's getting out of bed and doing the exact same things again and again and yet again - and it's watching it all get undone again and again and yet again. It's humbling, monotonous, mind-numbing, and solitary.
Gymnastics, you get one shot; acting, it's like, do it again, do it again, do it again. So that was the one thing that I found very different. You're allowed to get different tries and you're more expressive in a way when you're working with people. In gymnastics, you're so on your own and individual.
Again and Again, however, we know the language of love, and the little churchyard with its lamenting names and the staggeringly secret abyss in which others find their end: again and again the two of us go out under the ancient trees, make our bed again and again between the flowers, face to face with the skies
I'm reconnecting, I'm deepening, I'm opening, I'm releasing negativity and negative thoughts and all the limitations I carry around with me - again and again and again and again and again and again. And again! And that's the only thing that keeps me alive.
I dont want to just play gay characters, ... I think it would get boring to play the same thing again and again and again.
It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.
One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again.
I'm constantly trying to find something that's different from me, whereas some actors do the same thing, again and again. That's not for me.
I think we can be very narrow-minded in this country; you see something that someone's done and immediately want them to do the same thing again - but if they don't, they're criticised for not doing the same thing again, but if they do they're just repeating themselves.
I like working with directors much, because I want to be able to give myself completely to their vision. Otherwise I would only do what I could do, again and again. I want to be taken by someone in a different direction.
The rule of songwriting: say what you want to say, say it again, say it a different way, then say it again.
I've heard some writers say that they are obsessed with certain ideas and that they find themselves writing around the same obsession again and again, but telling different stories to get at that same idea. I'm beginning to think that I suffer from this syndrome, too.
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