A Quote by David Ayer
Actors are like magicians. They'll sit there and do all their tricks to each other. It's very competitive, and the goal is to get them bonding, to get them to know the real person as quickly as possible.
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Actors are insanely competitive and they hold back on each other. They are like magicians and none of them want to show their tricks.
Even if someone doesn't look like you or you don't know people like this in your real life, you get to know them and you get to see their humanity and you get to empathize with them. Our hope is that through empathy that can spark change. We hope people start talking to each other and our show sparks conversation because we need to start talking to each other, not at each other.
The film industry is an awkward business - you get together with strangers, get to know them very well and then you make a lot of promises to see each other and you don't. Maybe that is like a real family.
From my experience working with comedians, there is that competitive aspect. With actors, for instance, they don't want to look competitive even if they are, whereas comedians, I think, are openly happy to play on the idea that they all compete with each other to get the laughs. There's something about comedy, I think, that encourages that. There's this kind of schoolboy sense of wanting to top the other person that we play off of to show them competing for who's smarter or cleverer.
I feel really connected to these young ladies I get to work with; I'm dancing around with them and playing music for them. We sit down and get to know each other so we have a shorthand.
Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.
I feel that I'd rather know an actors' work, or have an instinct about them and sit down and have coffee with them, or I'll see them in something and I'll see if I can get along with them in some way, shape, or form.
Because 'Gob' was a terrible magician, he was always, in great comedic moments, messing up his magic act. We used to have magicians come in to work on these tricks to actually get them wrong. But they still had to work. We had to bring magicians on to make magic not work.
Children used to get bullied at school. Now they go home and that's where the problem starts - because they sit on their phones all night, thinking about who's 'liked' a photo of them, who hates them, who loves them. They don't know what's real and what's not, editing their lives constantly to fit other people's views.
Children used to get bullied at school. Now they go home, and that's where the problem starts - because they sit on their phones all night, thinking about who's 'liked' a photo of them, who hates them, who loves them. They don't know what's real and what's not, editing their lives constantly to fit other people's views.
I do get stressed at times, but I love what I do as an actor. This is the part that I don't like. I don't actually like talking about - I wish I could just go and get on with my job, because I love getting a script, breaking it down, working with other people, bonding with other people, fighting with other people, and out of those arguments, creating something that nobody expected and seeing it all come together. Telling a story, having an impact on people's lives, moving them and making them laugh.
It's a tiny industry. Actors all know each other to a point where you always know someone who knows the other person who worked with them.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
Hills are unpleasant, so I like to get them over with as quickly as possible.
I get vested in my guys. I want to know who their family members are, I want to know their interests, I want to know what makes them tick. I want them to also know I care about the other side of them, their personal character and growth as men, because I think we all sharpen each other that way.
Over the course of a day, you get to get a feel for where you're playing, so when you get out on stage, you already feel like you've had a bit of a bonding experience with them.
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