A Quote by David Ayer
I think nothing has been filmed as much as World War II.
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It's important to remember that World War II was experienced very much as a continuity in that sense. Most of World War II in most of Europe wasn't a war; it was an occupation. The war was at the beginning and the end, except in Germany and the Soviet Union, and even there really only at the end. So the rest of time it's an occupation, which in some ways was experienced as an extension of the interwar period. World War II was simply an extreme form, in a whole new key, of the disruption of normal life that began in 1914.
However, there is a fundamental difference between the issue related to Japan's history and our negotiations with China. What is it all about? The Japanese issue resulted from World War II and is stipulated in the international instruments on the outcomes of World War II, while our discussions on border issues with our Chinese counterparts have nothing to do with World War II or any other military conflicts. This is the first, or rather, I should say, the second point.
World War II made war reputable because it was a just war. I wouldn't have missed it for anything. You know how many other just wars there have been? Not many. And the guys I served with became my brothers. If it weren't for World War II, I'd now be the garden editor of The Indianapolis Star. I wouldn't have moved away.
I think in many ways, the Spanish Civil War was the first battle of World War II. After all, where else in the world at this point did you have Americans in uniform who were being bombed by Nazi planes four years before the U.S. entered World War II? Hitler and Mussolini jumped in on the side of Francisco Franco and his Spanish nationalists, sent them vast amounts of military aid, airplanes, tanks - and Mussolini sent 80,000 ground troops as well - because they wanted a sympathetic ally in power. So I think it really was the opening act of World War II.
Why should Americans care about the Nazi back story in World War II? If you don't have the Nazi back story in World War II, World War II is simply not comprehensible.
In every major war we have fought in the 19th and 20th centuries. Americans have been asked to pay higher taxes - and nonessential programs have been cut - to support the military effort. Yet during this Iraq war, taxes have been lowered and domestic spending has climbed. In contrast to World War I, World War II, the Korean War and Vietnam, for most Americans this conflict has entailed no economic sacrifice. The only people really sacrificing for this war are the troops and their families.
It's very important to understand that World War II is at the base of this new policy. From the 1890s on, the U.S. was always imperialistic. We went after the Philippines, and we did the same in Cuba, in Hawaii. We controlled South America. Woodrow Wilson was not what he was supposed to be. He was very much a white man first. "The world must be made safe for democracy." It really accelerates after World War II.
One began to hear it said that World War I was the chemists' war, World War II was the physicists' war, World War III (may it never come) will be the mathematicians' war.
When I created the Grisha, it was important that they be powerful but that they kind of represent the Jewish brain trust that developed before World War II and after World War II in the U.S.
In World War II the hostility and the exasperation resulting from the statification of the economy and the strain of the war have been directed as much against the government as against private capital.
We've suffered a war, and one thing we know: Whenever our nation's faced war, whether it was in the 1980s when we were winning the Cold War or in the 1940s during World War II, the responsible thing to do has been to borrow money to win the war.
Germany was beaten after World War I, but it didn't take long for it to rise again as a much more malignant threat. The end of World War II was not to be a compromise; it was to come about from the total annihilation of the enemies' ability and will to make war.
I don't think journalists in World War II were objective about the Nazis, and I don't think they should have been.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
I'm a New Yorker, originally. I was raised in Jackson Heights. I went to P.S. 148 and then Newtown High School. If World War II didn't come, I'd still be there in school. World War II saved me.
In one sense, I have always felt glad to have had the war [World War II] in my childhood, because, as a result, nothing that has happened in the world since then has ever seemed quite so bad. On the other hand, I never entirely got over my feeling of being cheated when the promised era of peace in a wonderful "post-war world" failed to materialize. I could not understand how, after all that, people could ever even think of fighting again. And I still can't.
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