A Quote by David Christian

What we normally define as history doesn't interest me. It's a constraint. — © David Christian
What we normally define as history doesn't interest me. It's a constraint.
I think time is a constraint to destroy and then reinvent. If you give me a constraint, I'll accept it. But I always try to move it around, or to readapt it. Ecco! If you lock me in a room, well I'll go out through the window! I always remember Achille Castiglioni, one of my mentors, and he always said that in industrial design you have the idea, the fantasy, the concepts - that's the marmalade! - but the constraint of the brief is the bread. You need both in order to find structure for your ideas.
There has always been interest in certain phases and aspects of history - military history is a perennial bestseller, the Civil War, that sort of thing. But I think that there is a lot of interest in historical biography and what's generally called narrative history: history as story-telling.
This concern with the basic condition of freedom -- the absence of physical constraint -- is unquestionably necessary, but is not all that is necessary. It is perfectly possible for a man to be out of prison and yet not free -- to be under no physical constraint and yet to be a psychological captive, compelled to think, feel and act as the representatives of the national State, or of some private interest within the nation, want him to think, feel and act.
I had no interest in history classes. In fact, I used to sleep in history classes, I used to bunk classes. But that is how students are supposed to be, no? I developed an interest in history much later. I have made a few films based on historical facts.
What I'm passionate about is History, and politics interest me only insofar as it is the cross-section of History in the present.
It is simply that we treat Japanese history, the history of the Japanese people and its unique culture with greater respect and interest. This generates enormous interest in Russia!
You can define a net two ways, depending on your point of view. Normally you would say it is a meshed instrument designed to catch fish. But you could, with no great injury to logic, reverse the image and define the net as a jocular lexicographer once did: he called it a collection of holes tied together with string.
A wife loves out of duty, and duty leads to constraint, and constraint kills desire.
If one gains an interest in the history of the earth, he is quite sure to gain an interest in the history of the life on the earth. If the former illustrates the theory of development, so must the latter. The geologist is pretty sure to be an evolutionist.
Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted for the constraint of a definite "thing" cedes directly to the imagination. How can we draw "evolution" or "social organization," not to mention the more mundane "digestion" or "self-interest," without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind.
One of the things my parents taught me, and I'll always be grateful as a gift, is to not ever let anybody else define me; that for me to define myself. and I think that helped me a lot in assuming a leadership position.
Mythology does not interest me. Nor does history. But the possible overlap between history and mythology excites me immensely.
I can't belong to groups. I've tried. I behave normally, but people don't look at me normally.
What initially attracted me to The Seventh Seal was that it had values and characteristics which I was familiar with in other art forms, most notably, the European novel and certain forms on English drama, and indeed, in relation to my rather academic interest in history -- not "history" in the normal sense, but history as a form of entertainment . It might be a very unfashionable view but I believe that history is an amazing bank or reserve area of plots, characterisations, extraordinary events, etc.
Normally, if I don't qualify as well as I think I can, I seem to carry a little chip on my shoulder for the race, and that normally helps me out.
Both mythology and history interest me.
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