A Quote by David Christian
I think what I was after was a unifying story that could bring everything together, that could give me a sense of the whole of history.
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President Obama, when he was elected, he could have been a unifying figure. He could have chosen to be a leader on race relations and bring us together. And he hasn't done that, he's made decisions that I think have inflamed racial tensions that have divided us rather than bringing us together.
Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes. It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity. That sort of turned me on.
I remember when I was in graduate school and someone in workshop would say, 'I'm going to bring in a chapter of my novel.' The thought that someone could think they'd write a whole long thing... I could only see twelve pages ahead. But then I realized that if you could see twelve more after that, you can start.
I used to think, 'Everything's okay, or will be. I'll go on with this stance.' But after the World Cup, I was open to everything: if someone suggested a change in my technique I felt could work for me, I was willing to give it a try.
I always think I could do better. I always think that something could be more perfect, but I think that that's just within my nature. I think I want to please a director, I want to give my everything and find every which way I could have burrowed further into a character.
I thought poetry could change everything, could change history and could humanize, and I think that the illusion is very necessary to push poets to be involved and to believe, but now I think that poetry changes only the poet.
I think it worked two ways. One, a lot of people writing about the movie used that as shorthand and it could either be a good thing or they could use it to dismiss the movie like we were a copycat movie or something like that. It's very much its own story. It is a young woman in a post-apocalyptic society, but after that it's just a whole different kind of story and a different journey that she goes through.
My sense is that we are missing a huge part of the human story. I think it's possible, indeed probable, that we are a species with amnesia; that we've lost the record of our story going back thousands of years before so-called history began, and I think that if we could go back to that dark epoch, we would discover many astounding things about ourselves.
Nothing could have been worse for the development of my mind than Dr. Butler's school, as it was strictly classical, nothing else being taught, except a little ancient geography and history. The school as a means of education to me was simply a blank. During my whole life I have been singularly incapable of mastering any language. Especial attention was paid to versemaking, and this I could never do well. I had many friends, and got together a good collection of old verses, which by patching together, sometimes aided by other boys, I could work into any subject.
Johann was one of the greatest players in the history of the game. He could do everything. I'm not at that level. I'm more of a classic attacker, a penalty-area player. And after a while, I realized that this was how I could best help my team.
That is amazing that a guy like St. Jerome who lived in the fourth century could bring people together. Sometimes you think people are dead and forgotten. But they can actually bring you together in the best way.
Everything inspires me. It could be a movie. It could be a book. It could be a house. It could be one word - I'll think for hours and hours about one word sometimes. It could be anything.
It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.
If destiny could bring two people together, then it could just as easily tear them apart, and, if it could tear two people apart, then it could just as easily bring them back together again. There was no beginning, middle and end to destiny. It wasn't neat and manageable. It was random and scary.
And we could have all this,' she said. 'And we could have everything and every day we make it more impossible.' 'What did you say?' 'I said we could have everything.' 'We can have everything.' 'No, we can't.' 'We can have the whole world.' 'No, we can't.' 'We can go everywhere.' 'No, we can't. It isn't ours anymore.' 'It's ours.' 'No, it isn't. And once they take it away, you never get it back.
My husband was a serial adulterer, and there was nothing I could do about it: no questions I could ask him, no argument I could have with him, no explanation he could give me or pleas he could make for forgiveness.
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