A Quote by David Copperfield
You'd go in the magic shop [as an 8-year-old ], and you'd walk up to the magicians doing stuff, and they'd turn their back on you. "Oh my gosh, I wish they would accept me." It really lit a fire. I really wanted to succeed.
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There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.
I always wanted to go to the Chavez school but I could never afford it when I was growing up so a lot of my learning came from magic books and watching other magicians. I was also very lucky that I had a couple of really good magic teachers.
I always just wanted to write and maybe direct. I'm really only interested in that. And yet the business that I'm in has forced me into being a salesman - that's the last thing that 17-year-old me would imagine I'd end up being. I'm uncomfortable trying to sell anything, but that's what you're doing every time you walk into a pitch.
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
Oh, I shop all over the place, really. Like I love department stores like Barney's and Saks and stuff like that. But I also just like to walk in Soho and find some interesting boutique that doesn't really have a huge name or following, and I'll go in and find something amazing.
I always wanted to be a comedic actor - that's what I wanted from the job - to do comedy and to create my own comedy. But I still love doing stand-up and will probably be doing it forever. I'd love to be an old guy who can't really walk, can't really stand-up, and I have to sit on the stool and tell jokes.
There was a guy named Ed Mishell. He was this grandfatherly guy who did all the illustrations for the catalogs and reviewed magic effects for the magic magazines, so all of the magic dealers would send him magic effects for free-it was a great deal. His basement was full of this stuff. He took me under his wing, and he would sneak me into the Society of American Magicians meetings in New York. It's the world's oldest magic organization.
I feel like the luckiest child in the world because I got to grow up in Ireland. In summer is when you really grow up. During the year, I would go back to the States, and all year long really couldn't wait to get back to Ardmore.
It was like time would stop, and the dancer would sort of step through some kind of portal and he wasn't doing anything different than he had ever done, 1,000 nights before, but everything would align. And all of a sudden, he would no longer appear to be merely human. He would be lit from within, and lit from below and all lit up on fire with divinity. And when this happened, back then, people knew it for what it was, you know, they called it by it's name. They would put their hands together and they would start to chant, "Allah, Allah, Allah, God God, God." That's God, you know.
Our trials are supposed to turn us toward God, but we whine and complain and wish someone would turn down the fire so we could have our old life back the way it was.
I wanted to represent a different decade, and I wanted someone who goes back further than me. I go back the furthest on this thing, I never really noticed that before. I'm going to have to fix that or I'm going to look really old.
I really wanted to succeed. I wanted to be accepted. I read every magic book that I possibly could, studied every move, and by the time I was 12, they really accepted me, they embraced me.
I think most comedians go through that (period), where you have to change or evolve. You don't want to just keep doing variations on the same themes. And, besides, it would look kinda creepy for a guy my age to be doing stuff that, like, a 20-year-old would do. 'Yeah, this is bullshit!' It's, like, 'Really? You don't have bigger concerns at this point in your life?'
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
I look at some of my early stuff - back when I was 12 or 13 years old - and I was already doing cross-hatching back then. I don't know where I picked that up. I think I was in a hurry, and I wanted to shade something really fast, and I tried cross-hatching a shadow.
When someone tells you you're not going to walk again and you spend about a year and half on your back, your clothes don't mean much. I was in a robe every day, so I gave everything away - my whole wardrobe, down to the last dress. But at some point I woke up, maybe about four or five months after having done that that, and I thought, "You know what? I really want to try to wear high heels." That's why I wanted to learn to walk. It sounded really stupid but I just wanted to see. That to me was sort of definitive to who I was. So that was my goal.
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