A Quote by David Cronenberg
The desire to be loved is really death when it comes to art.
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I have never really been a great artist. I have been a human being that has loved art, which is not the same thing. But I have loved and believed in art and the idea of universal brotherhood so much, that I have put everything I have into them, and I have been blessed.
In the end, the art of hunger can be described as an existential art. It is a way of looking death in the face, and by death I mean death as we live it today: without God, without hope of salvation. Death as the abrupt and absurd end of life
We should see the desire for neatness, the desire for sharp impressions, as a desire in art.
The American way of life, as I see it, is really the American way of death. Everything is determined by greed and the insatiable desire to be the richest and most powerful. And that desire is limitless.
In comics, you have to imagine what happens. I really loved it; I loved collecting. I loved following the adventures and figuring out what was going to happen next. I was a huge X-Men fan; I was a huge Spider-Man fan, and, to large degree, I remain one. It's literature for me; it's art.
Realism gives me the impression of a mistake. Violence alone escapes the feeling of poverty of those realistic experiences. Only death and desire have the force that oppresses, that takes one's breath away. Only the extremism of desire and death enable one to attain the truth.
The desire for bad art is the desire bred of habit: like the smoker's desire for tobacco, more marked by the extreme malaise of denial than by any very strong delight in fruition.
When we pray for death we really desire a fuller life.
I loved that outrageous, creative style of city ball. 'Logic is the death of art,' they taught me at Yale. Maybe in basketball, too.
I really wasn't about to get a Ph.D. in art history, you know, which you'd absolutely needed. And that was not something I wanted. And I loved art history, but not that way.
In the early 2000s, I was introduced to the noble art of kickboxing, it thrilled me, and I loved it. I loved the honour and the discipline, and I also loved the punching.
Growing up I was very into art. In high school I was into the surrealists and impressionists, and I loved Klimt. In '91 or '92 I saw one of those Felix Gonzalez-Torres Untitled billboards. I was just really arrested by it. It was kind of my first foray into contemporary art. It was a turning point for me as to what art could be and what it meant and the impact it could have.
We should have but one desire today - the desire to die so that India may live - the desire to face a martyr's death, so that the path to freedom may be paved with the martyr's blood.
The desire to kill is like the desire to attack another with an ingot of red -hot iron: I have to pick up the incandescent metal and burn my own hand while burning the other. Hate itself is the seed of death in my own heart, while it seeks the death of the other.
If you stuck me in a room and gave me art-making tools but told me no one would ever see the results, I don't think I'd have much desire to make art. What I do comes from a deep desire to be seen and to see others.
I really, really wanted to write. I loved language. I loved literature. I loved reading. I never read a foreign language, I'm afraid, but I loved Flaubert. I loved the 19th-century classics. I love Thomas Hardy. I wanted to be a goof on a bus, but I wanted to write more.
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