A Quote by David Cronenberg
Well I don't think sex and violence have ever stopped a movie from being mainstream.
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Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
We tried to make a movie that had sex and violence because we like sex and violence.
Personally, I can't stand violence. In any standard American mainstream movie, there's 20 times more violence than in any one of my films, so I don't know why those directors aren't asked why they're such specialists for violence.
When I go see an R-rated horror movie, I want lots of violence. I want nudity. I want sex and violence mixed together. What's wrong with that? Am I the only one? I don't think so.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
In the mainstream film market, certainly in television, sex is handled fairly discreetly. I think the abuse of extraordinarily graphic violence and language presses much closer to the tolerance of public taste.
Americans give you the violence, Europeans give you the sex. I think people have been saying that since the 70s. And I think it's kind of pathetic that Americans are still stuck - on the shock value of violence, when sex is such a natural thing for everybody.
I don't think about being famous, really. Being an author, I don't generally get stopped as I walk down the street. It's not like being a movie star.
You have to think of a new way to completely surprise people who think they're hip. I always said you could make an NC-17 movie with no sex and no violence. Now I don't know what that could possibly be, but if you could think it up, you'd have a hit.
I see a huge, huge divide between the people who are facing the most barriers and violence and the kinds of stories being told in mainstream American politics. The issues that I think most about - how many people's lives are being affected by prisons and policing, how many people's lives are being affected by immigration enforcement and deportation - those stories aren't being touched, let alone told, in mainstream politics.
I do have a lot of sexual imagery in my performance. But I don't think it's ever encouraging anyone to have sex. I think I just show my own sexuality, but I don't think I've ever really written about having sex or anything like that.
I'm not talking so much about sex - after you've seen sex in a picture, what else can happen - but violence is very bad. People think these are things you are allowed to do. I think they should be forbidden.
As for sex, well, I mean sex is a perfectly respectable subject as far as Shakespeare is concerned. I mean, all history is love and violence.
I went from people just thinking I was, like, a baby to people thinking I’m this, like, sex freak that really just pops molly and does lines all day. It’s like, 'Has anyone ever heard of rock 'n' roll?' There’s a sex scene in pretty much every single movie, and they go, 'Well, that’s a character.' Well, that’s a character. I don’t really dress as a teddy bear and, like, twerk on Robin Thicke, you know?
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