A Quote by David Fincher
I learned just to be a belligerent asshole, which was really: "You have to get what you need to get out of it." You have to fight for things you believe in, and you have to be smart about how you position it so that you don't just become white noise.
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You can't ask the guy with the checkbook to always be the person. So, we actors have to try. And believe me, it's not just young people who are struggling with this, trying to get things of substance made because of the proliferation of technology that it's just harder and harder to get things that really matter made. But they are being done and you just have to fight the good fight and try to... if you have something that you have written, you have to do your best to try to get it made in whatever way you can.
If you have it you don't need it. If you need it, you don't have it. If you have it, you need more of it. If you have more of it, you don't need less of it. You need it to get it. And you certainly need it to get more of it. But if you don't already have any of it to begin with, you can't get any of it to get started, which means you really have no idea how to get it in the first place, do you? You can share it, sure. You can even stockpile it if you like. But you can't fake it. Wanting it. Needing it. Wishing for it. The point is if you've never had any of it ever people just seem to know.
I can push through a lot of things, whether that's failure or success. I don't know how to explain it. I've learned how to overcome things that get thrown at you. In baseball, nothing's for certain, just like life. You have to roll with the punches. If you get knocked down, you need to stand up.
There's a lot of noise in the world. And one of the beautiful things about doing theater and film is the absence of that noise or, perhaps, the adding of that noise where it's helpful in telling the story. I'm always trying to get rid of that noise. The more you do it, the better you get.
When you get to that level, it's not a matter of talent anymore - because all the players are so talented - it's about preparation, about playing smart and making good decisions. If I don't believe it, then they don't need me on the court. I've just got to believe that in my heart.
Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.
As you get older, you become more unapologetic about how you really are, how you feel about things, and you really say it out loud.
I think we need to get smart enough to do what's going to help us and not just continue to do things that are going to hurt us. It's pretty easy to read something or hear about it in a message, but it's that personal application of that where it's just you, God, and your problems, that are going to give you the power to get stronger and stronger.
I mean, I'm always happy if I have, like, humiliating asshole things that I did. I think: Oh good, that's a good story. Because if you write about humiliating asshole things other people do it doesn't work as well. I mean, you can, but you can get away with it better if you talk about what an asshole you are. It's much easier.
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
I did get introduced to the financial markets while I was in college. And I think I learned also how to sort of filter out all of the nonrational, or nonsensible, noise and sort of concentrate on what matters, and that's really what markets are about.
Men need to be with women otherwise I don't think they really know how to behave. They'll just stare at me and it's awkward, so I scramble around in my mind to say the rudest things I can think of just to get something out of them.
Where you go to these really good schools, and it's all about preparing for the next step of success. That was never even on my radar. My job is to explore the world, because this is my one life, you know? That's totally how I see it. But I came to Yale just being like, Yeah, now I get to explore this place and meet all these people who are really smart. And I was just excited to be surrounded by people who were as smart as me or were probably smarter. And I just did not expect the level of competition and bitterness and anger, and, the tearing each other down.
I learned how to believe in myself. Learned how to set goals, you know, self help books man. I just read every single one I can get a hold of, and I still do.
What I like about electronic music is you don't really need to be that learned or educated in any particular context. You can just make sound, noise even, whatever it may be.
Streetfighting is just get out there and bang. It's whatever in a street fight. This is different. You have to be real smart in your decisions at this professional level of the game. In a street fight, it doesn't even matter.
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