A Quote by David Fincher
Oh, yeah, I love DVD's. I don't have what you'd call an extensive collection, maybe a couple of hundred or so. But I have something on almost all the time.
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I started collecting baseball cards and basketball cards when I was younger. I have a CD collection that turned into a DVD collection, and I have a Jordan shoe collection. And I don't drink, but I have a wine collection. I just started a sweatshirt collection. Every city that I'm in, I buy a sweatshirt. It's just something that I do.
Hey, ah, does anyone want a cookie or something? Oh yeah. A cookie. That would make everything better. Dunked in a shot of tequila , maybe? Or better yet, just the bottle? Yeah, that ought to do it.
I can't remember who it was - maybe Brian Eno - but some important musician guy said he recorded ambient noise from a city street and after he listened to these field recordings for the millionth time, it was like, "Oh yeah, at 1:23, that's where the car horn comes in." So when you're doing stuff like this, and you've been working on it for a year, you're like, "Oh yeah man, that makes perfect sense!" And then you forget when you give it to people, they're bewildered.
I've had plenty of jo-jobs. Nothing I'd call a career. Let me put it this way. I have an extensive collection of name tags and hair nets.
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, "Oh yeah, I want to do a movie with an accent." Not to say that it couldn't happen.
Yeah sure, I'd love to have all my movies on DVD.
You know, where I come from, an antique, to be called an antique, it has to be at least a hundred years old. That's a law: before you can call something an antique, it has to be a hundred years old. In L.A., something that's been around for a couple of weeks is an antique. It's true! People are like, Look at this old-fashioned iPod. Look at this! It's the size of a man's hand! Ha ha ha ha. Back then-back then, people thought Mel Gibson was just acting crazy. It was a very different time.
Do I perform sometimes in a manic style? Yes. Am I manic all the time? No. Do I get sad? Oh yeah. Does it hit me hard? Oh yeah.
Oh yeah - for sure - hardly a week doesn't go by when I don't hear something wonderful that someone has made in some low-budget situation, primarily with a view to selling a few hundred copies at their concerts.
I love going back to vinyl! I still have a great vinyl collection that I'm building up every couple of months. It's something I love to do.
Ybon was the one who suggested calling the wait something else. Yeah, like what? Maybe, she said, you could call it life.
You want to have a song that people will listen to and go, 'Oh, yeah! That reminds me of something in my life,' or, 'something I'm currently going through,' or maybe something happens later and you hear the song and go, 'Wow! That really was telling a story that I can relate to now.' That's my hope.
One time I said: maybe I should burn a guitar tonight. You know smash a guitar or something like that. And they said: yeah, yeah! I said: you really think I should? They said: yeah, that'd be cool. I said: well, ok.
I love a challenge. It's fun as hell to fall and to not get something and then to finally land it. That's like pursuing a girl that said no a hundred times and she finally say yeah. That's what it feels like every single time.
You want to bring it every day. But if you have a bad day in the theatre, a couple of hundred people see it. That sucked; we'll get back to it. You have a bad day on film, it's just on DVD for the rest of your life.
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