A Quote by David Guterson
Don Quixote is one that comes to mind in comparison to mine, in that they both involve journeys undertaken by older men. That is unusual, because generally the hero of a journey story is very young.
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A good story is always a journey. It is about taking the journey, the people the hero meets along the way and how they change him or her. All stories are journeys. They don't have to be shocking or outrageous: they simply have to be interesting.
The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.
It's an experience I'd like to add to the chorus, that these blue-collar, macho men, like my older brother, had the capacity to say: 'I don't care, I love you anyway.' There are young kids thinking: 'I'll never come out because it's too hard in our communities.' But I'm saying maybe your story can be similar to mine.
Comedy is essentially made by young men, or older men with some form of arrested development, for young men or immature older men.
When I paint I do a different thing than when I design. But both involve aesthetics, both involve thought, both involve planning.
Change is a journey and the journey is always about change. And if there is no change, why bother with the journey? And the best journeys require lots of space of one sort or another. So for great journeys - just open space.
Don Quixote was a song for a 1969 Michael Douglas movie called Hail Hero! I wrote the title song for the film and they also used the Don Quixote one I had submitted.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
Older men are wiser and that is much cooler to me. I've never been one for going out clubbing or getting off my head, so I always gravitated to men who were similar. They just tended to be older. I think you have more of an adventure with an older man. And a happier journey.
Older men are wiser and that is much cooler to me. Ive never been one for going out clubbing or getting off my head, so I always gravitated to men who were similar. They just tended to be older. I think you have more of an adventure with an older man. And a happier journey.
I begin indeed to fear that I have undertaken an impossibility, undertaken to tell what I cannot tell because no speech at my command will fit the forms in my mind.
I hate to generalize, but in general, both men and women suffer from ageism. Men much less because men gain power as they get older. Women lose power as they get older. Men are seen as gaining experience and being distinguished. Sons look forward to replacing their fathers.
Some journeys are direct, and some are circuitous; some are heroic, and some are fearful and muddled. But every journey, honestly undertaken, stands a chance of taking us toward the place where our deep gladness meets the world’s deep need
Ruby Gillis thinks of nothing but young men, and the older she gets the worse she is. Young men are all very well in their place, but it doesn't do to drag them into everything, does it?
Here's my theory: I think both fiction and role-playing games involve a narrative journey. When that journey never ends, it feeds an addictive cycle. When that journey has an end, it brings us back to ourselves and to our own lives. This return allows us to reflect. Perhaps this is why I prefer a closed structure for books and games.
I generally only eat one meal a day, which is pretty unusual for a restaurant reviewer. It's not that I have a problem with food; I'll eat anything that doesn't involve a bet, a dare, or an initiation ceremony.
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