A Quote by David Johansen
Sometimes I've found that by getting into a certain drag, or a certain feeling, you can cast off your mortal coil and really do something. I don't know if it's important, but it's something. It's entertainment.
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It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
We really want Barstool Sports to be a brand that means something. It doesn't just have to be myself... you see the logo, that bar stool and the stars around it, and you know you're getting a certain type of vibe, a certain type of brand.
There's a certain feeling of giving, a certain feeling of generosity in love songs. When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe. It resonates in your body in a way that feels extraordinary.
Sometimes getting something off your chest to someone else is an important step in coping - so you know that you're not alone, you're not failing, and that it is perfectly normal to feel overwhelmed or sad at times. Everybody does.
Your next SMS will probably be around longer, and remain more legible, than your tombstone. For, unlike your tombstone or even your mortal coil, your texts may be worth something.
When it's time to shuffle off this mortal coil, you leave your ashes to be composted.
You know, I think sometimes certain players - and I don't name names - but certain players have a certain haircut, they have certain sack celebrations. They draw a lot of attention to themselves.
If a columnist writes that something happened on a certain date, or that the government spent a certain amount of money on something, or that a specific number of people have died in the war in Iraq, to pick a few examples, it is his or her responsibility to make certain that information is correct.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
Magicians are manipulating your consciousness. They are showing you something impossible. They're getting you to construct a narrative, which simply isn't true. So that means they know how to make you aware of certain things and blind to other things. What I'm hoping is that magic, this entertainment vehicle that has been around for a long time, will give us a real insight into the deep mysteries of consciousness
Reading something for the first time and getting this feeling like the material provokes you on some level, and doing the movie is really just sort of defining and figuring out why exactly you felt certain things when you read it.
I try to follow certain rules. Nothing in Élysée Palace should become habitual, because routine lends one a deceptive feeling of security. You begin not noticing certain things and lose your focus on what's important. Uncertainty and change keep you attentive. This place and, to a certain extent, my office, help me avoid developing habits.
You couldn't make yourself stop feeling a certain way, no matter what the other person did. You had to just wait. Eventually the feeling went away because others came along. Or sometimes it didn't go away but got squeezed into something tiny, and hung like a piece of tinsel in the back of your mind.
There's a certain feeling of giving, a certain feeling of generosity in love songs. When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe.
Whenever I write songs, it's my outlet for a certain feeling. I just don't as often feel compelled to write when I'm not really sad about something, or wanting to sort through something dark.
There are certain things you can say off the ice, but I think it's mostly on the ice. There are certain situations where you feel like the team may need a big play, something like that, where you feel like it's your responsibility to step up and you do that, but I definitely do that more on the ice than off.
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