A Quote by David Levering Lewis

I have always been averse to theorizing about the art or craft of biography. Like Disraeli's biographer, Lord Blake, who offers the cautionary analogy of the biographical centipede unsure of her next step because of too much cerebration, I have made it my practice to let the facts find the theory.
No theory ever agrees with all the facts in its domain, yet it is not always the theory that is to blame. Facts are constituted by older ideologies, and a clash between facts and theories may be proof of progress. It is also a first step in our attempt to find the principles implicit in familiar observational notions.
... one of the main functions of an analogy or model is to suggest extensions of the theory by considering extensions of the analogy, since more is known about the analogy than is known about the subject matter of the theory itself ... A collection of observable concepts in a purely formal hypothesis suggesting no analogy with anything would consequently not suggest either any directions for its own development.
The centipede has rhythm and flow in its hundred legs precisely because it does not have to think about it. Consider this the next time you move the instruments of your art.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
biography is essentially a collaborative art, the latest biographer collaborating with all those who wrote earlier.
I firmly believe people have hitherto been a great deal too much taken up about doctrine and far too little about practice. The word "doctrine," as used in the Bible, means teaching of duty, not theory.
A form of art that I like is portraiture. I've been thinking about portraiture, and its relationship to writing and literature, biography and autobiography, and so that will be my next thing.
I'm afraid of coaching, of writer's classes, of writer's magazines, of books on how to write. They give me centipede trouble - you know the yarn about the centipede who was asked how he managed all his feet? He tried to answer, stopped to think about it, and was never able to walk another step.
Theorizing is of course essential to make progress in understanding, but theorizing in the absence of knowing available relevant facts is not very productive.
Just because you've had one or two of those games, you can't really go back to the next practice and change everything. That's the most important thing in those situations that you don't think too much, you don't try to change too much because then you're going to be in deep trouble, that's what I think. It's all about keep working on what's been successful for you and keep believing what you're doing is the right thing.
I tried to explain as much as I could," Poppet says. "I think I made an analogy about cake." "Well, that must have worked," Widget says. "Who doesn't like a good cake analogy?
I wouldn't want to write a biography of anyone. I'd feel too inhibited by the facts and too much pressure to do the subject's life justice.
I don't think anybody's really been successful with theorizing about value or creating a price theory.
We think craft is important, and the irony has always been that horror may be disregarded by critics, but often they are the best-made movies you're going to find in terms of craft. You can't scare people if they see the seams.
The difficulty will be to keep her from learning too fast and too much. She is always sitting with her little nose burrowing into books. She doesn't read them, Miss Minchin; she gobbles them up as if she were a little wolf instead of a little girl. She is always starving for new books to gobble, and she wants grown-up books--great, big, fat ones--French and German as well as English--history and biography and poets, and all sorts of things. Drag her away from her books when she reads too much.
I think the right way to do this is just to step up and do it, so I actually think we'll see more of that over the next coming weeks, because I think they'll say, "We'd like to be good for business and quiet on politics, but this is too urgent, it is too much of a key crisis in who we are going to become as Americans. We can risk too much, and so we have to step forward." And I think you will see more and more people stepping forward, like Howard Schultz, Steve Case and other folks, in order to try to make a difference in this [Donald Trump] election.
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