A Quote by David Levering Lewis

I felt in my bones that Alfred Kazin was right to suggest that 'the deepest side of being American is the sense of being like nothing before us in history' - a historical conceit that privileged biography as the narrative of the exceptionalist experience.
There has always been interest in certain phases and aspects of history - military history is a perennial bestseller, the Civil War, that sort of thing. But I think that there is a lot of interest in historical biography and what's generally called narrative history: history as story-telling.
Talk to me 20 years ago and I had a complete sense of illegitimacy as an American Muslim. I felt like I wasn't authentic. But I don't understand and I don't believe or subscribe to this idea that I don't have a right to speak as a Muslim because I'm an American. Being Muslim is to accept and honor the diversity that we have in this world, culturally and physically, because that's what Islam teaches, that we are people of many tribes. I think the American Muslim experience is of a different tribe than the Saudi Muslim world, but that doesn't make us less than anyone else.
Ronald Reagan, and before him, Richard Nixon, and before Nixon, a slew of conservative politicians going back through American history, have played to the idea that the great majority of poor people are somehow "undeserving," and being undeserving, merit at best very limited, oftentimes deeply coercive and humiliating, government interventions to better their finances. That narrative isn't about to disappear overnight; but it strikes me as being like a weak gruel - there's no sustenance in it, no heft behind the argument.
It is important to insist on the historical truthfulness of the narrative of the fall of Adam and Eve. Just as the account of the creation of Adam and Eve is tied in with the rest of the historical narrative in the book of Genesis, so also this account of the fall of man, which follows the history of man's creation, is presented by the author as straightforward, narrative history
People find a sense of being, a sense of worth and substance being associated with land. Association with final roots gives us not only a history but proclaims us heirs to a future.
When you read a history or biography you are entitled to imagine that it is as accurate as the authors can make it. That research has gone into it and we say "This is a history of the civil war, this is a biography of Lincoln" whatever. But you don't make any such supposition when you say "This is a historical novel."
I am trying to make clear through my writing something which I believe: that biography- history in general- can be literature in the deepest and highest sense of that term.
It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette was crucial, so his nose and lips were crucial as well. We had to build it out a bit to get the silhouette. But, with my nose being so small within the proportion of my face, the first nose was too big. I felt like a nose on parade.
To some extent, mythology is only the most ancient history and biography. So far from being false or fabulous in the common sense,it contains only enduring and essential truth, the I and you, the here and there, the now and then, being omitted. Either time or rare wisdom writes it.
....the popular music of Jamaica, the music of the people, is an essentially experiential music, not merely in the sense that the people experience the music, but also in the sense that the music is true to the historical experience, that the music reflects the historical experience. It is the spiritual expression of the historical experience of the Afro-Jamaican.
Being this side of 40 feels like what I should have felt being this side of 25: in my body, in my heart, happy with my life, and OK with whatever bumps in the road present themselves.
To have the privileged position of being the guy who is responsible for shaping the entire experience for an audience as opposed to being just one instrument in that orchestra, being an actor, it's all-encompassing.
We had enough years in front of us to be serious and grown-up and respectable. Why rush it? But on the other hand we always complained when teachers and other adults treated us as kids. In fact there was nothing that annoyed me more. So it was a frustrating situation. What we needed was a two-sided badge that said 'Mature' on one side and 'Childish' on the other. Then at any moment we could turn it to whatever side we felt like being and the adults could treat us accordingly.
Nothing's new since Genesis. And so everybody in their life thinks history began when they were born. Most people's historical perspective happened when they were born in the sense that nothing has ever been this bad. "We've never gone before this before," and of course we have. Things have been worse in many ways in the country.
Yes, I mean, There's nothing like it. There is an added sense of pressure because of that, but there's also nothing like the thrill you get being in the same space with that audience right there and then. And when you do it, it's over.
I remember being caught in this earthquake in Mexico City and having a sense of people coming before me, of being part of this lineage. I felt similarly when I went to India and South America.
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