A Quote by David Lowery
I have always thought of myself as a writer, only because I need things to direct, and I can't not write the things that I direct.
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I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
Australia, most of the filmmakers there write a film and they direct it. There's a lot of writer/directors there, because nobody wants to write a script and then let it go when they've had that much of a personal investment to it, because you're not getting paid huge amounts of money in Australia to direct.
I had never thought of myself as a director and found out that I was not. I am a writer who was able to direct the films that I write.
Because if a woman can only direct women, and men can only direct men, and Black directors can only direct Black actors, then we are missing out on opening up voices to different perspectives.
I'm not so in a rush to direct just anything because I'm lucky that I can make a living so far as an actor and not have to worry about that as a director. And so I can be a little more choosy in things I direct.
I don't feel the need to direct. I tried to get other people to direct Dances, but they wouldn't do it. They all thought it was too long. One director wanted to cut the Civil War sequence. Another thought the white woman was very cliched.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
Now I write often. I decided that I need to write for myself - I can't really direct other people's material.
I would always get a lot of work as a writer, but that wasn't what I wanted to be. For me, I was only doing half of what I really wanted to do - write and direct.
Strike is always a form of direct action. With the strike, too, you are not asking government to make things easier for you by passing legislation, you are taking a direct action against the employer.
I think every writer has got to direct. If you don't direct, you can't protect your work. The only way to ensure that it's going to be as close as possible to what you put down on paper - and what you see and hear in your head - is to do it yourself.
I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
Everyone that I meet always wants me to direct, but whenever I think of directing, I think of aligning shots. I'd definitely have to write and direct something. But I don't know if I could.
I always wanted to direct and write a movie, but I thought that I didn't really have it in me. I tried to write fiction and humorous short stories, and some were considered successful, but it was always a huge effort for a small reward. I was always intimidated by the process.
That's why I won't direct film or telly. I can't do those early mornings anymore. I will only direct theatre because that starts at nine in the morning.
I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
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