A Quote by David Lowery
With 'Pete's Dragon,' Disney was very excited about the movie I wanted to make; they were very supportive of it, and it was a smooth process. I was really surprised by that.
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The only part of 'A Ghost Story' that was reactionary was a temporal one. I had spent so much time making 'Pete's Dragon' that I was really impatient and excited to make something new. When this project presented itself, I was ready to jump right into it. I started shooting two days after 'Pete's Dragon.'
Suzanna Collins was very supportive, but we very much wanted her blessing on casting. In production, she visited us once, but she really was not involved in the production process. She's seen the Hunger Games movie twice, in the post-production process, once as an early cut and then once when it was finished.
I have a family. I'm married. I'm very, very happy. I wanted to make a movie for my wife and a movie that speaks to what it is to be in a long term, very, very committed relationship because at the heart that's really what it is.
At the end of the day on 'Pete's Dragon,' if we didn't nail something, we could come back and pick it up later. I always knew there was a safety net built in that Disney would not let the movie fail. But in this case, with 'A Ghost Story,' it was all on the line.
My mother was a housewife. My father worked in the agriculture business, but they were very encouraging about everything. When I said I wanted to do art, they were very supportive.
I remember early in my career with Disney, which was a very strange time in the company - there were a couple of executives who were very supportive of me and kind of let me do my own thing.
I have two wonderful, supportive and very practical parents who were like, you're really talented and really creative. You should be a lawyer because there's a safe path there. And I knew that I was never going to be a lawyer. And I knew that I wanted to make movies, and I wanted to write shows.
A lot of the reason the Universal version of 'Heights' went away is that they were afraid they didn't have a big enough Latino star to bankroll this movie. The people I dealt with at the studio who wanted to make this movie were very passionate about it.
As a child, I always wanted to come to the Premier League, so when I made the move, I was very happy. Chelsea were on the up - they were doing really good - so I was very excited, and in the end, everything went well here for me.
The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.
In Seattle, I've talked about how Pete Carroll is such... I'm kind of surprised at the variety of styles that successful coaches can have. Some are very communicative and positive and energized - like, Pete Carroll has all that in spades. Some of them are more cerebral; some are more directive.
We didn't want to make a movie that excluded any fans. 'Venom' fans actually are of all ages, and so we wanted to be inclusive to all the fans that were excited about the movie.
What's interesting is that you can have a set that's very calm, very smooth, very cooperative... and end up with a terrible movie. And you can have a set that's really horrible as far as relationships and volatility, and come up with a great movie. Sometimes that energy gets infused into what ends up on film - it's interesting in that way.
I was working with these very long-chain ... extended-chain polymers, where you had a lot of benzene rings in them. ... Transforming a polymer solution from a liquid to a fiber requires a process called spinning. ... We spun it and it spun beautifully. It [Kevlar] was very strong and very stiff-unlike anything we had made before. I knew that I had made a discovery. I didn't shout "Eureka!" but I was very excited, as was the whole laboratory excited, and management was excited, because we were looking for something new. Something different. And this was it.
My imagination was really hyperactive as a child and animated. I had those elements, but as you live and go through the hardships, it fades. 'Pete's Dragon' reawakened that. It rekindled the feeling of the invisible dragon.
When you find something where you can give people a message and still make it an exciting movie, you get very, very excited about something. You probably even work harder than you normally do.
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