A Quote by David Lowery
I have a repository of titles I like in my head, and I am always looking for a movie that I can put one on.
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Man is always looking for someone to boast to; woman is always looking for a shoulder to put her head on.
I am like the lover of Roland Barthes "who's always running in his head". I'm always searching, and "eating" everything from my life, in order to put it in my dresses!
People think if you're a movie star, you're the boss. But first of all, I'm not a movie star, I'm in a very different place. I'm not looking to do what I want - I am looking for what we can find. It's a creative process.
After the make-up process, I was like, "I never want to do a sci-fi movie where I'm in make-up for seven months." It's interesting. It was my first time ever getting prosthetics. They put this goopy stuff all over your head and they tell you it's like a facial, but it's actually very claustrophobic. All they have are these places where your nostrils are and I kept thinking that they were closing up, but they were like, "No, we're looking at it." So, they made a mold of my face.
I, of course, was born as if I was a movie star in my head. Even though I had nothing, in my head I was always royalty. My mother always said, 'I don't know where you came from'. I didn't have their value system. And I always lived beyond my means.
I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
The movie not only about what story you're telling and who you're looking at. It's mostly about how you're telling it and how you're looking at it. And people who don't like it, who say, "Oh, it's not 'true' because you're looking at it in a stylized way" - it's a movie and it's fiction, so it's also a lot in the artistic direction that it is political.
So when Community came up and then the movie roles started happening I was very grateful. I am trying to be careful with the movie roles I select because if you pull the trigger too quickly, like choosing a lead role in a crappy movie then you will be put in movie jail and you will never be heard from again. If it's not a big hit you'll be forgotten pretty fast.
My flag is always flying. My shingle is always out. I'm always looking for movie ideas. The hardest part of this whole movie-making endeavor is finding ideas. That's the real goal.
I am always producing work, but there is always a sort of deadline where you have to finish work. I don't do it for a show. In other words, I am not like a fashion designer where I have a, you know - I have to put out the full line or I have to put out the summer line like that.
My approach has always been to put 100% into the movie I'm making right now. I think sometimes filmmakers put too much thought into the grand franchise they're going to build. And guess what? If the first movie doesn't work there is no franchise, so I'm always concentrated on making the best, best possible movie right now.
Sometimes people can put way too much emphasis on looking 'hot' which can be stressful and put you in your head.
I do a lot. I don't like to sit still. I am pretty spontaneous. I like to cook a lot. I like to eat. I like to workout, surf, read, write, and create. I am always working on a couple of projects that I always have and need to put more time into.
Every time I read a script, I see the movie in my head, and I try to see the best movie in my head because everybody interprets the movie differently.
Every movie I make I find kind of excruciating. I get a lot back from it, but I feel like I'm kind of always working at the edge of my ability. I guess that's what I'm looking for when I go to work. I am trying to become the edge.
I think titles are tricky because they're like a really short ad for the book. And like an ad, they should open the door in a way that might be more accessible than the book itself. So I always like titles to be familiar. I'm not trying to break ground with the title itself. The title should feel like something already celebrated.
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