A Quote by David Lowery
The films I love are very precise, and every shot means something; every shot should convey something new.
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I feel every shot, every camera move, every frame, and the way you frame something and the choice of lens, I see all those things are really important on every shot.
After college, I really looked at every single shot that I shot. Pretty much every shot in my sophomore year and my junior year and just watched my form. I watched how I shot it from 3, and I just noticed I was a very undisciplined shooter.
I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.
When you cut from a long shot to a close shot, you're doing it for a reason, or if you let something stay in long shot for a long take. On the short films, I was teaching myself how to express something personal cinematically, how to use the language of film the best I could.
Would I have done anything different? I might have put a golf club in my hand instead of a cue. I love watching those guys play. Every situation is different, everything - every shot - has to be so precise.
Every shot should be a knockout shot.
Think of golf as chess. You have to think two or three moves ahead every time you hit the ball. Over every shot, you should be thinking, 'Where do I need to put this ball in order to make my next shot as easy as possible.
You look at today, it's a different situation. You have a game that has been transformed into a game where almost every shot is either an outside shot - a three-point shot - or a dunk.
There are some filmmakers like the Coen brothers that are very precise. They make shooting boards, they do it shot by shot, and they follow every single line in their own script. They make amazing movies, and I admire them so much, but I can't do that. I have no idea how the movie will exactly be. While shooting, I just try to create an accident that I don't control very well - grabbing things from different sources and ideas, and then having a sensation somewhere that it will make sense.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
As every golfer knows, no one ever lost his mind over one shot. It is rather the gradual process of shot after shot watching your score go to tatters - knowing that you have found a different way to bogey each hole.
I learned something very important early on: You accept what happens and move on. In other words, if I hit a bad shot, I can't change it. There is only the next shot. That was a big lesson.
I won't play an 18-hole practice round unless I'm playing for something. That goes for when I'm at home, too. It doesn't have to be for much, but it has to be for something, because I want to hit every shot like it matters.
A friend of ours said if the same laws were applied to U.S. Presidents as were applied to the Nazis after WWII, that every single one of them, every last rich white one of them, from Truman on would be hung to death and shot. And this current administration is no exception. They should be hung and tried and shot as war criminals.
There are many things that have stayed consistent. But the biggest change, of course, is technology, the way it's used, the way films are shot, the format that they're shot in, and the way films, of course, are edited. It's very different than it was in the past.
In MMA it’s a lot less intimidating because it’s not like you get one shot at a title every four years. You get a title shot every couple of months ... With the Olympics, you don’t always have this, so there is so much more pressure involved.
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