A Quote by David Lynch
I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think.
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We're all the same, and we all want the same thing. We all want to be secure. We all want food on the table. We want to know that our kids aren't going to be destroyed when they're not with us. We all want the same things, and if we've been hurt in our childhoods, we try and recreate the same hurt.
I know there's a part of the feminist world that is like, "Hey, screw 'em, we'll do our own thing over here," and I can see there's a value in that. But a kind of nudgy part of me thinks: No. I want access, and I want my daughters to have access to the exact same thing, because we all know there's no such thing as separate but equal.
You know, when everybody starts to live from their heart, and go for what they want, they don't go for the same things. That's the beauty of this. We don't all want BMWs. We don't all want the same person. We don't all want the same experiences. We don't all want the same clothing. We don't all want ..... fill in the blank
We hear a lot about the notion of objectivity, and I'm not sure I know what that is. I know what fairness is. I know what honesty is. And I know what the heart and emotions are. I think those are the things I particularly want to embrace. I would not want anyone to take away my right and my ability to communicate my feelings about the things that I see.
You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.
Everywhere I go I meet girls and boys who want to be astronauts and explore space, or they love the ocean and want to be oceanographers, or they love animals and want to be zoologists, or they love designing things and want to be engineers. I want to see those same stars in their eyes in 10 years and know they are on their way!
When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."
The thing is with us is, we never want to be predictable. But at the same time we know what our fans love and we know what kind of sounds we want to get across to everyone.
I love secrets. Here's a bunch of people who think they know each other over a long period of time. And they do. And they don't. Secrets aren't the same thing as shame, but they can fall in that category. I'm very interested in the ways that people are open and honest with one another and simultaneously in hiding. What we know about those we love is only part of the story. Who do we protect with our secrets? Others? Ourselves? These are questions that interest me in fiction. The public and the private self.
I don't want anybody guarding me. I want to be free; I want to be left alone... I would like to go out there and have no one know me, but at the same time, it would bother me, y'know.
I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.
I was raised with this consciousness of being part of this global Muslim community. At the same time, I didn't even know if I wanted to be Muslim. It was this incredibly complicated moment: I just needed to balance these two things where you care about people on some deep level who are my co-religion and are being killed because of their religion. Then, at the same time, I'm like ah, I don't really know if I want this.
I am a student of life, and don't want to miss any experience. There's poetry in this sort of thing, you know--or perhaps you don't know, but it's all the same.
Anything you want to know, you go to Quora and get it. And at the same time, give people a platform that is easy to use for sharing the knowledge.
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
I like to think that people who really know me understand I am the same person - and that is something I will always fight to maintain. Obviously the money is there, but I want to stay the same. At the same time, I want my son to enjoy what I didn't have. My father-in-law often looks at all the toys and games Benjamin has.
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