A Quote by David Lynch
Because you make a world that didn't exist before, and you can go into that world deeper and deeper. It's unbounded out there. One film takes you into one area, another film takes you into another area. There could be trillions, zillions of worlds that exist in the big space.
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I like to make films because I like to go into another world. I like to get lost in another world. And film to me is a magical medium that makes you dream... allows you to dream in the dark. It's just a fantastic thing, to get lost inside the world of film.
My job as a character actor is to make me fit the character, to serve the character. To present this human being who turns up in a piece of film or entertainment that's going, you know, exist as if it might exist after the film is finished and it existed before the film has started.
There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.
I learned that just beneath the surface there's another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn't find the proof. It was just a kind of feeling. There is goodness in blue skies and flowers, but another force - a wild pain and decay - also accompanies everything.
If you have a temperature rise, if it's a problem in one area, it's beneficial in another area. But sea level is the real 'bad guy,' and therefore they [The IPCC] have talked very much about it. But the real thing is, that [sea level rise] doesn't exist in observational data, only in computer modeling.
Our soldiers in another area were attacked chemically. Our soldiers - they went to the hospital as casualties because of chemical weapons, but in the area where they said the government used chemical weapons, we only had video and we only have pictures and allegations. We're not there ; our forces, our police, our institutions don't exist there. How can you talk about what happened if you don't have evidence ?
I'm planning some films in the U.K., and it will have pros and cons. It takes a lot more time to set up a film in the U.K., because you can't rely on much. In Greece, friends show up and bring what they can and you make the film. Well, that's a bit simpler than how it really is. But when you make a film with proper industries, it takes more time to synch all these things.
Sometimes we postpone releases because of another big film or some other reasons. In the end, the big film, too, postpones, and the impact is on the small films. So once you decide on a release date, you have to go ahead with it.
In my teens I saw the world in only black and white. Now I know that most things exist in a certain gray area. Though it took a while to get here, I now call this gray area home. I once believed that participating in a capitalist economy would be the death of me, but now realize that agonizing over the political implications of every move I make isn’t exactly living.
I grew up with 'Cinderella.' So that was my go-to Disney film, definitely. It was princess-related, and coming from a smaller area in Illinois and wanting to do something greater than myself in Broadway, that was a film that I could really relate to.
Any symptom can force you to go deeper into some area.
After I finish any film, I move to the next one. It takes about a year to write and another six months are for pre-production and other things. You need a minimum of two-and-a-half months for the shooting of a new film. Then, I also edit my own film.
Horror films and genre films are interesting, because I always look for a deeper meaning or a deeper theme in the film.
Sometimes you wake up with mini panic attacks where you feel like 'Oh my God! I don't have a film right now! Should I just do something that comes my way because I don't have another film?' But I feel at the end of the day, your gut takes over.
In Iranian cinema, all the lying takes place before making the film. In order to be able to make the film, you have to lie.
You do the one film that you think is terrible, but it's a big studio film and you hope you'll get another job because of it, because blah blah blah, whatever it is. You know that you hate it, you just couldn't care less if it got made because it's not something in a million years you'd go and see yourself. And it ends up being shite and you just knew it was shite to begin with, and it doesn't do you any favors at all if someone thought you were in another shite film. So I decided it doesn't get me anywhere being cynical. It's not that I want to be.
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