A Quote by David Lynch
I would rather not make a film than make one where I don't have final cut.
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They say now in America that final cut doesn't mean anything. As Harvey Weinstein said to some film-maker, 'You can have final cut. I'll open your film in Arkansas.'
No matter where I am working, I cannot make a film without 100% creative control and final cut. If there is such a guarantee, I can work anywhere.
'Zubaan' is the first film I had signed as a lead. It was an opportunity I was waiting for, coming at a time when I was getting shortlisted for roles but was unable to make the final cut.
I'd rather make an interesting film that gets people talking, that maybe some people hate, than make the kind of 'entertaining' film that everyone feels ambivalent about.
The film [ Wyatt Earp and the Holy Grail] was shot on a KODAK Zi8 camera as well as on multiple camera phones. It was processed using the effects of FINAL CUT X and then edited in FINAL CUT 7.
We even did a re-imagining of 'Spider-Man' that James Franco starred in that didn't make it into 'This Is The End'. That didn't make the final cut, but I wouldn't be surprised if it made the DVD.
I would rather make a bad film which does well at the box office than a good film which does badly.
The thing I realized about final cut is it's the power of the best cut. I didn't have final cut on 'Prisoners,' but what you saw is the best cut. 'Sicario' is a directors' cut. 'Arrival' is a directors' cut.
The way that you have cut the film, you can take the audience out of the action if it becomes evident that there is a stunt double doing it rather than the actor. I'd rather stay with the character and the story point behind the fight, rather than cutting to a wide angle of the fight.
My job is — I make socks. That’s all I do. I don’t necessarily care about the show. I would rather film this — me doing what I do — than being around my family.
I'd rather make the cut in the Crosby than win another Oscar.
I think I have an obligation, to the people who have consented to be in the film, to make a film that is fair to their experience. The editing of my films is a long and selective process. I do feel that when I cut a sequence, I have an obligation to the people who are in it, to cut it so that it fairly represents what I felt was going on at the time, in the original event. I don't try and cut it to meet the standards of a producer or a network or a television show.
Well, of course you question it, especially when you get to this point. I always look at it would I rather not make the playoffs or lose in The Finals? I don't know. I don't know. I've missed the playoffs twice. I lost in The Finals four times. I'm almost starting to be like I'd rather not even make the playoffs than to lose in The Finals. It would hurt a lot easier if I just didn't make the playoffs and I didn't have a shot at it.
The more I think about our species the more I think we just do stuff and make up explanations later when asked. But it's not true that I would rather write than read. I would rather read than write. To be honest I would rather hang upside down in a bucket than write.
A great discipline comes with knowing that everyone's very focused. I've never shot a scene thinking, I wonder if this will make it. Every scene I shoot, I know that it's going to make it into the final cut.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
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