It's better not to know so much about what things mean or how they might be interpreted or you'll be too afraid to let things keep happening. Psychology destroys the mystery, this kind of magic quality. It can be reduced to certain neuroses or certain things, and since it is now named and defined, it's lost its mystery and the potential for a vast, infinite experience.
It’s better not to know so much about what things mean or how they might be interpreted or you’ll be too afraid to let things keep happening.
I had these experiences as a kid; I remember certain things happening in school that were horrifying that I would see, certain things of violence or certain things of cruelty, but around that, something might happen afterwards to cause everyone to laugh, and that always blew me away.
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things moving rapidly for the reader. Quick pacing is vital in certain genres. It hooks readers, creates tension, deepens the drama, and speeds things along.
For 13 to be unlucky would require there to be some kind of cosmic intelligence that counts things that humans count and that also makes certain things happen on certain dates or in certain places according to whether the number 13 'is involved' or not (whatever 'is involved' might mean).
It's not that big a mystery about types. It's not even that big a mystery why so many people are picking up on things now. It's like we were talking about the primitive thing before and all that. Nothing has really changed much. The things that have changed are like we're on the noon now. There are more buildings now. But we're still basically two monkeys sitting here.
I was a Catholic boy, I went to church every Sunday. A church has a certain magic and mystery for a child. It still shows in how I arrange things. It's always little altars.
I think it's better to not know certain things. It gives the world an extra bit of mystery, which is important to us as human beings.
Human beings are like detectives. They love a mystery. They love going where the mystery pulls them. What we don't like is a mystery that's solved completely. It's a letdown. It always seems less than what we imagined when the mystery was present. The last scene in `Blow Up' is so perfect because you leave the theater still dreaming. Or the end of `Chinatown,' where the guy says `Forget it, Jake, it's Chinatown.' It explains so much but it only gives you a dream of a bigger mystery. Like life. For me, I want to solve certain things but leave some room to dream.
I think that is one of the things that is beautiful about fiction and that you can do through drama. If I was a detective, I could make a certain version of everything we know to be exactly true. And that would have a certain kind of truth value. And there are certain other things that we know that are emotionally true.
It's a mystery why certain people find certain things funny.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
As an actor, you're kind of aware of everything, or you try to be, so you take in certain habits or find certain things, such as how someone sits or how demure they are. You get those things about everybody.
In the end, science as we know it has two basic types of practitioners. One is the educated man who still has a controlled sense of wonder before the universal mystery, whether it hides in a snail's eye or within the light that impinges on that delicate organ. The second kind of observer is the extreme reductionist who is so busy stripping things apart that the tremendous mystery has been reduced to a trifle, to intangibles not worth troubling one's head about.
In this world are very few things made from logic alone. It is illogical for man to be too logical. Some things we must just let stand. The mystery is more important than any possible explanation. The searcher after truth must search with humanity. Ruthless logic is the sign of a limited mind. The truth can only add to the sum of what you know, while a harmless mystery left unexplored often adds to the meaning of life. When a truth is not so important, it is better left as a mystery.
I am entirely on the side of mystery. I mean, any attempt to explain away the mystery is ridiculous. I believe in the profound and unfathomable mystery of life which has a sort of divine quality about it.
The things that converge in the writing of a play come from a complex of motives, a genesis shrouded in a certain kind of mystery.