A Quote by David Lynch

I let the actors work out their ideas before shooting, then tell them what attitudes I want. If a scene isn't honest, it stands out like a sore thumb. — © David Lynch
I let the actors work out their ideas before shooting, then tell them what attitudes I want. If a scene isn't honest, it stands out like a sore thumb.
If a scene isn't honest, it stands out like a sore thumb.
People where we come from hear so many lies that the truth stands out like a sore thumb.
Talent sticks out like a sore thumb.
I definitely stuck out like a sore thumb. I came to the conclusion - I had to at such a young age - if no one was going to be like me, then I just have to own it. If I can't be like everyone else, then I might as well just own who I am.
Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.
In this day and age, when there are so many people creating work online and writing their own shows, I wouldn't tell another actor, 'If you can do anything else go do that.' I would tell them to figure out the story they want to tell, to figure out what artists inspire you and why, and then figure out a way you can create that for yourself.
I do extensive storyboards so people can get a sense of what we're doing, and what the attitude and tone is. I work a lot with the actors. I like to go to sets or locations with them before shooting so that they know what they'll be doing on the day. I have found actors really do like to know about blocking, etc., before the shoot day comes.
I know I'm the greatest, and like I said, I ain't here to be average. I always wanted to stick out as a sore thumb, so that's what I'm doing. It's just confidence.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
I stuck out like a sore thumb when I came on, just by the fact that I looked so different. I think that adjustment for the audience was a hurdle for me.
I like to work and there's no movies for actors, period, especially black actors. When white actors are like, 'Man, there's no work out there,' then black actors are like, 'Are you kidding me?'
As a European I had fit in almost seamlessly in New York for the last 25 years, but in Oklahoma I stood out like a sore thumb.
There's something about being in the country that makes you stick out like a sore thumb ? you're an anomaly. But in London there's always someone wilder and woollier.
I want to tell human stories not solely based on race. There are so many great actresses and actors that are out there, and I just want to see them do good work.
Once I start shooting I forget the scriptwriter in me. I like things flowing. If you have talented actors who bring their own ideas, it can be much better than what you have worked out.
Actors are terrible at overthinking things before they turn up to work, and they decide on a way they're going to do it, and then it's hard to break them out of it.
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