A Quote by David Lynch

Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way. — © David Lynch
Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way.
Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way. Being explicit doesn't tap into the mystical aspect of it either in fact, that usually kills it because people don't want to see sex so much as they want to experience the emotions that go along with it. These things are hard to convey in film because sex is such a mystery.
We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation.
Basically, there's not enough sex in movies, that's it. I'm trying to say it, people. I miss sex in movies because sex is natural, guns are not.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
With sculpting, nothing is cloudy or mystical. It's just about this object, and if you're trying to depict reality, and you do it well, then the outcome is the truth.
I just wonder what has been the effect on the human soul of nearly a century in which we have regarded sex on screen as generally better than the sex we actually have, the sex which is, in fact, much better than anything we have seen in the movies, becuase it's sex, after all, and in the movies, it isn't.
We're used to seeing fantasy explored from a male perspective, and the way men might see sex, have sex, want sex and even be addicted to sex. But I don't think women pursuing that sexuality within themselves is something that's talked about or experienced as often.
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
And finally, there's the seventh doorway, the Doorway of Oneness, which corresponds to the crown center, located at the top of the head. This doorway has to do with feeling whole and connected to all of life, connected to spirit
Well, the truth is that we are all mystical and that there is something going on that can't be explained. Outside of the day-to-day stuff like getting up going to work, we all have something going on within us, and we all know that there is something going on - we're spiritual creatures and we are very powerful.
Most people are interested in seeing 27-year-old women who are in movies somehow connected to sex. It's interesting to everyone. Especially little movies that are having trouble getting made, there's always sex.
Sex was never as neat as the movies made it. Real sex was messy. Good sex was messier.
The first doorway (or chakra) is what I call in the book, the Doorway of Safety. This doorway relates to feeling safe in life and being present in the here and now. It's only when we are really grounded and safe that we're able to relax and open up our hearts.
Sex for pleasure, for fun, or even for building relationships is completely absent from our national conversation. Yet taking the joy out of sexuality is a surefire way to ensure not that young women won't have sex, but rather that they'll have it without pleasure.
We say justly that the weak person is flat, for, like all flat substances, he does not stand in the direction of his strength, that is, on his edge, but affords a convenient surface to put upon. He slides all the way through life.... But the brave man is a perfect sphere, which cannot fall on its flat side and is equally strong every way.
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