A Quote by David MacKenzie
The problem with American cinema is that because you're making films with huge amounts of money you need to hit the lowest common denominator in order to make it back and so therefore you're not allowed to play with moral ambiguities or ask questions.
Related Quotes
Writing for TV or films isn't great art. You have to have a common denominator. It's up to the composer to make that common denominator memorable.
We need more intellect and humor back on television, instead of the lowest common denominator of comedy - like the fart joke!
A lot of films seem to go to the lowest common denominator.
We've always actually been remarkably commercially successful. Not in terms of making huge amounts of money, which we rarely do, but in terms of not losing money and making modest amounts of money. We're actually strangely consistent in that respect.
If you take a look at education, the kids that get good grades are said to humiliate those who don't. And what, then, do we do? Slow them down. We put obstacles in their way. We do not devise public education systems that are designed to deal with their superior learning ability. We retard it so that they don't learn any more, any faster than the lowest common denominator - and that really is the nub of it. The Democrats' equality and sameness is all going to be defined by the lowest common denominator.
There was supposedly no point showing 'Nightbreed' to critics because the people who see these movies don't read reviews, in brackets, even if they can read at all! Immediately it was disqualified from serious criticism. Therefore, it had to be sold to the lowest common denominator.
If you fear making anyone mad, then you ultimately probe for the lowest common denominator of human achievement.
What the Americans have done is refuse to back down. They've refused to make the cheapest, lowest common denominator forms of entertainment for TV and instead have championed television drama as an important part of our culture.
American films, it's a money-making industry. And in France, you can find great respect for cinema as art.
If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
The lowest common denominator of the universe is both low and common.
France loves American cinema because when an American remake is successful, it makes us money to produce more French films.
The basic problem is for a congressman or a president to get elected, they need obscene amounts of money. And the only place you can get obscene amounts of money is from Wall Street and the big corporations who benefit from shipping our jobs and our factories overseas - that's the fundamental political problem.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
Movies aren't "slow burn," and aren't serious, aren't interesting, because everything from the movie to the promotional materials is telling you that you have to see it between Friday and Sunday, and then you can forget about it. It's not an important movie, it's just a lowest-common-denominator thrill-ride for three days when you've got nothing to do. That does a major disservice to the quality of the films
Obama is playing to the lowest common denominator of everybody, and he is telling them that if anybody's got more money than you do, it's not fair and it's unjustified and somehow you have been ripped off or screwed, and that is his message.
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