A Quote by David MacKenzie

Edinburgh is a sort of gothic fairytale city, and it can be a gothic horror city as well. — © David MacKenzie
Edinburgh is a sort of gothic fairytale city, and it can be a gothic horror city as well.
Nico was gothic, but she was Mary Shelley gothic to everyone else's Hammer horror film gothic. They both did Frankenstein, but Nico's was real.
I hate the word gothic but I would like to try doing something like that. A gothic sound, not rock, but gothic. There's a difference.
With 'The Keep,' I began with a theory about pitting the isolated disconnection of the gothic realm against present-day hyperconnectedness. I emerged feeling that the gothic genre is all about hyperconnectedness - the possibility of disembodied communication - and that we now live in a kind of permanently gothic state.
I'm not a futurist, and my taste in science fiction was sort of in the gothic horror vein, not space movies and futuristic stuff.
The gothic reminds us that we are mainly driven by our passions; the Gothic deals in illicit desires, in what is prohibited by society.
What did I think of Princeton? Well, the answer to that question requires a story. When I first arrived, I looked around me at the Gothic buildings - younger, I later learned, than many of the mosques of this city, but made through acid treatment and ingenious stone-masonry to look older.
I don't really begin with ideas about genre. I certainly wrote a gothic novel, 'The Keep,' that conformed to and, in some ways, played with every convention I knew of to work with in the gothic, but the way I came to it was very instinctive and visceral.
I never realised that the Edinburgh skyline was so interesting - it's gothic and very urban and there's a lot of church spires and old brownstone buildings.
Science fiction is the search for a definition of mankind and his status in the universe which will stand in our advanced but confused state of knowledge (science), and is characteristically cast in the Gothic or post Gothic mode.
I loved fairy tales when I was a kid. Grimm. The grimmer the better. I loved gruesome gothic tales and, in that respect, I liked Bible stories, because to me they were very gothic.
[On New York:] ... a city rose before me. It was narrow and tall like a gothic temple, surrounded by water, and ... it suddenly appeared, as if with a slight push it detached itself out of the invisible into the visible.
The gothic is singular in this; one seems easily at home in the renaissance; one is not too strange in the Byzantine; as for the Roman, it is ourselves; and we could walk blindfolded through every chink and cranny of the Greek mind; all these styles seem modern when we come close to them; but the gothic gets away.
Gothic architecture requires individual craftsmanship. The wish to create an enclosed world for the congregation gives rise in Gothic architecture to the need to create something wherein the activity of the congregation plays a part.
Mention the gothic, and many readers will probably picture gloomy castles and an assortment of sinister Victoriana. However, the truth is that the gothic genre has continued to flourish and evolve since the days of Bram Stoker, producing some of its most interesting and accomplished examples in the 20th century - in literature, film and beyond.
I do get recognized, but I must say Edinburgh is a fantastic city to live if you're well-known. There is an innate respect for privacy in Edinburgh people, and I also think they're used to seeing me walking around, so I don't think I'm a very big deal.
Even at the beginning when I arrived at Givenchy, there were certainly people who supported me, but not everyone loved me. They were saying, "Why an Italian who acts Gothic?" Never mind the fact that Italy is one of the main exhibitors of Gothic art in the world. But it was like, "No, Italians should only do sexy!"
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