A Quote by David MacKenzie

Movies tend to be dislocated and non-linear in their process. — © David MacKenzie
Movies tend to be dislocated and non-linear in their process.
The creative process is different from the traditional production and work-flow process. It is not so linear.
Change is not a linear process; it's an all-encompassing process, and it's alive in different ways.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
People complain about Hollywood movies being similar. That goes right down to the fundamental green light process, because the process involves having to compare it to three other movies.
As a screenwriter I'm often writing in genres where there have been thousands of movies; whereas when I direct movies they tend to be in between genres. They tend to have a little bit of a genre to them, but they're really about the people, and they're people we haven't met before.
Movies that tend to be converted or tend to be 3D in a late decision are not effective.
Heist movies tend to be a bit superficial, glamorous, and fun. They don't tend to be emotionally engaging.
Climate change is a process that typically is non-linear. Even upon examination, it lives in comparison with other moments.
A couple of things are missing from Indigenous affairs. We tend to go and process, we tend to spend a lot of money for very limited outcomes, and we have got to change that.
People who think achieving success is a linear A-to-Z process, a straight shot to the top, simply aren't in touch with reality.
There are two different forms of storytelling: Novels tend to come from the inside of a character, and movies tend to look at them from the outside in relation to others in their world.
To me, we're living in a non-linear world... But the truth is we are linear creatures. Everything unfolds one after the next. And that's the thing we've become disconnected from.
Perhaps making movies is a step toward being able to move backward and forward and in and out of linear time.
A human life has seasons much as the earth has seasons, each time with its own particular beauty and power. And gift. By focusing on springtime and summer, we have turned the natural process of life into a process of loss rather than a process of celebration and appreciation. Life is neither linear nor stagnant. It is movement from mystery to mystery. Just as a year includes autumn and winter, life includes death, not as an opposite but as an integral part of the way life is made.
All of us are linear thinkers. We evolved in a world that was local and linear. You know, back 100,000, 200,000, millions of years ago, when we were evolving as a human species, nothing changed. You know, the life of your great-grandparents, you, your kids - it was the same. And so we are local and linear thinkers.
As much as I love period movies and especially more swashbuckling movies, I think that sometimes they tend to be, umm... it's hard for the audience to relate to them.
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