A Quote by David MacKenzie
I really don't want to make the same film twice, so I am conscious of going after material that is significantly different to anything I've done before.
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When people say ceramics is therapeutic and seductive, I think it's really about the wheel. Nothing I've done has that feeling; I feel like I'm fighting with the material the whole time. It doesn't want to be vague. It doesn't want to be asymmetrical. It doesn't want to have different clays combined. It doesn't want to do any of the things I make it do.
After I began working, I realised there's no end line. I believe that money has nothing to do with your personal success. On the face of it, I'm the biggest capitalist of all. I have all the riches. I'm the living proof of what stardom should be in material terms. But I've never sold my soul. I've not done anything which I didn't want to do. I've not done films for money. I'm not saying this with arrogance but I've never asked for a film.
I had done the No Doubt record Push and Shove, and that was a real challenge for me: I think after the giving birth twice, going on multiple tours, all the stuff that I had done, I really got quite burned out after that.
Always think twice before you decide to do anything for a film. It may seem like a career-changing idea, but think of your family and your future before doing anything risky. Train properly, because looking strong and being strong are two different things.
From Wall Street to Drive was almost a year, when I didn't do anything 'cause there was just nothing that was significantly different from the things I'd done before. There was just nothing to explore.
I only want to make movies that I believe in, that I care about and that mean something to me. At the end of the day, that's the only reason I'm doing this. Hopefully I can continue to grow and challenge myself to try to do things I've never done before, and make different kinds of movies that still maintain what makes the film my film.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
I don't really differentiate between different genres: if there's a good part going, I'll go after it, and it's preferable to me if it's something I haven't done before.
It [moviemaking] is not really done on a yearly basis. It's about how the material, and when the material comes in. If you develop your material and the script comes in great and you can attach a director and a cast and go off and make it, then I could make, I don't know, six [movies] a year. Or I could make one. It really depends.
Since a photograph is frozen and mute, since there is no before and after, I don't want there to be a conscious awareness of any kind of literal narrative. And that's why I really try not to pump up motivation or plot or anything like that.
I want to make a period film, I want to make a film set in another country. I want to make a foreign film. I want to make everything eventually. I am a storyteller. I have many stories to tell.
I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
If you're going to make a film about rage in 2018, 2017... If you're going to make a film about revenge and anger, I feel like that has to be a film about women. I don't really want to watch a film about angry men. I've seen way too many of those.
For a long time now I haven't existed. I'm utterly calm. No one distinguishes me from who I am. I just felt myself breath as if I'd done something new, or done it late. I'm beginning to be conscious of being conscious. Perhaps tomorrow I will wake up to myself and resume the course of my existence. I don't know if that will make more happy or less. I don't know anything.
If, for instance, we'd made the film after the show had been to Broadway, it would have been exactly the same film but we would have been assured that they would have understood it. We didn't have to do any alterations for Broadway. I was supposed to go a fortnight before it opened to alter anything that was necessary and there was nothing really.
I never want to cannibalize my act, and I'm really excited that I am going to be able to perform new material. I'm not a huge fan of repeating jokes, and I don't really do any of my old material from old stand-up acts.
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