A Quote by David O. Russell
You know, you have Scorsese who worked with De Niro and - or DiCaprio. You have William Wyler who worked with Bette Davis. You have George Cukor who worked with Katharine Hepburn. I just - people get to be friends and then there's a - that's a - you can take risks together and each time out you take a different risk.
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When my stepmother had my sister, Katharine Hepburn dropped by to say hello. She came with George Cukor, who wasn't a star, but he was a famous director. He was also my grandmother's best friend, so I knew him well as a kid. But when George showed up with Katharine Hepburn, I was utterly star struck.
I've worked with Bette Davis, John Wayne, Jimmy Stewart, Henry Fonda. Here's the thing they all have in common: They all, even in their 70s, worked a little harder than everyone else.
Just taking risks for risk's sake, that doesn't do it for me. I'm willing to take risks that I think are worth it, and I've worked so hard to make sure that I survive.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
I think mystery is kind of great. I don't know anything about Bette Davis or Katharine Hepburn or Ava Gardner - not really - and I like that. I love watching their movies because they're my personal movie stars. I don't know what they eat and who their trainer is.
My favourite actors are all dead or dying. I just love Jimmy Stewart, Bette Davis, Katharine Hepburn - I was named after her - and Cary Grant. I just love old black and white movies and the stars in them. It must have been a great time to be in Hollywood.
I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."
Bette Davis, she was so brilliant and one of my heroes, but she worked a ton, and then she didn't get All About Eve [1950] until the last minute. Claudette Colbert was supposed to be Margo Channing, but then she broke her back and couldn't do it. That allowed Davis to play her age.
I was determined to get it right on the pitch. Then, if I had to leave at the end of the season, so be it. I never felt threatened or isolated by the arrangement. We worked together and it worked out.
As an athlete, success is not just about winning; it is about working hard and giving it all you have. I have always taken one match at a time and worked hard; when I succeeded, I worked further on the aspects of the game which worked for me; when I failed, I listed out my weaknesses and worked on them.
I used to work for Symantec AV: I worked as their in-house IT technician, and then I worked as specialized AV support, and then I worked for Hartford Life IT, in Dublin and London. I worked in IT from '99 through to 2007.
'Vanity Fair' did this grid thing a couple years ago, connecting people who've worked together, and I had the most branches on it or whatever, because I'd worked with so-and-so and so-and-so worked with so-and-so, and I was kind of in the middle.
I studied business in school, so I worked for Chanel in marketing. And I also worked part-time in an office. So I had office jobs. And then I realized I needed to get the hell out of there, just realizing there was no fulfillment.
Look how Bill Cohen and George Mitchell worked together. It's the stuff of legends. And now it's the stuff of almost ancient history, regrettably, but the way those two really worked together.
I hang out with people I have worked with - most of my friends I've met because I've worked with them, to be honest.
I've worked with non-professional actors, I've worked with movie stars, I've worked with kids, I've worked with older people, and I've found my job as a director is to cast them well and to understand what they need on set to bring the material to life.
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