A Quote by David Olusoga

Black history is a series of missing chapters from British history. I'm trying to put those bits back in. — © David Olusoga
Black history is a series of missing chapters from British history. I'm trying to put those bits back in.
If you sit down with British officers or British senior NCOs, they understand the sweep of history. They know the history of British forces not just in Afghanistan but the history of British successful counter-insurgencies - Northern Ireland, Malaysia.
Black History is enjoying the life of our ancestors who paved the way for every African-American. No matter what color you are, the history of Blacks affected everyone; that's why we should cherish and respect Black history. Black history changed America and is continuing to change and shape our country. Black history is about everyone coming together to better themselves and America. Black history is being comfortable in your own skin no matter what color you are. Black history makes me proud of where I came from and where I am going in life.
Black history isn’t a separate history. This is all of our history, this is American history, and we need to understand that. It has such an impact on kids and their values and how they view black people.
Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.
If my history, my indisputable British history, has never been visited, where does that put me? If we are only going to look at things that need a revisit, you are wiping me out of this country's history. That is unacceptable to me.
London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.
'London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.
If you think about it, I made history. Not only was I the first black British woman to be nominated for an Oscar, I was the first black British person.
The refusal to accept that the black presence in Britain has a long and deep history is not just a symptom of racism, it is a form of racism. It is part of a rearguard and increasingly unsustainable defence of a fantasy monochrome version of British history.
I have to throw in on a personal note that I didn't like history when I was in high school. I didn't study history when I was in college, none at all, and only started to do graduate study when my children were going to graduate school. What first intrigued me was this desire to understand my family and put it in the context of American history. That makes history so appealing and so central to what I am trying to do.
I'm trying to make history. I've always put history above money.
Back in those days, all us skinny white British kids were trying to look cool and sound black. And there was Hendrix, the ultimate in black cool. Everything he did was natural and perfect.
All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
Not unlike our country's history, my personal history was founded upon an unfortunate history of racial conflict between black and white.
The best chapters in our economic history are those that embrace the many, not the few.
I don't want a Black History Month. Black history is American history.
This site uses cookies to ensure you get the best experience. More info...
Got it!