A Quote by David Olusoga

At 18, I stood in the Louvre in front of the paintings that TV had first shown me. — © David Olusoga
At 18, I stood in the Louvre in front of the paintings that TV had first shown me.
The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
A girl had bidden me eat and drink and sleep, and had shown me friendship and had laughed at me and had called me a silly little boy. And this wonderful friend had talked to me of the saints and shown me that even when I had outdone myself in absurdity I was not alone.
I went to the Louvre in Paris, and I saw all the paintings and the Mona Lisa. You don't really see something like that every day. I was looking at it, and everything else in the room just shut out. Like, Leonardo Da Vinci painted this thing - this is unreal that he touched that. It had this crazy effect on me.
I had never seen an ocean before I came to Mumbai, something that now we take for granted. But the first time I stood in front of the ocean, it affected me for a week. I had never seen something as enormous. It consumed me completely.
Willem de Kooning paintings are a language to be learned. When they were first shown, they were ridiculed as being just drips and splatters and splashes. You had to learn how to read them.
Someday my paintings will be hanging in the Louvre. [Vincent Van Gogh]
Destroying a tropical rainforest for profit is like burning all the paintings of the Louvre to cook dinner.
Coming out of the Louvre for the first time in 1971, dizzy with new love, I stood on Pont Neuf and made a pledge to myself that the art of this newly discovered world in the Old World would be my life companion.
The Louvre stopped buying paintings in 1848, and neither the Metropolitan nor the Hermitage acquire contemporary material.
I was watching TV at age 9 or 10, and my mom said that I came from the front room and I told her that I want to act. And she said if you want to do this at 18, then you can. It was a very simple story, yet, I do not even remember the conversation that I had with my mother. Until she reminded me of the story many years later.
A true pioneer who to me was like a father when I first came into the Dodger organization. He (Walter O'Malley) stood by me, and after my injury he stood by me and helped me through all of my crises.
I haven't been in the Louvre for twenty years. It doesn't interest me because I have these doubts about the value of the judgments which decided that all these pictures should be presented to the Louvre instead of others which weren't even considered.
I've been fortunate to have been in Paris a dozen times, where I've gone to the Louvre. I'm very big on Impressionistic paintings.
I was 18 when I got my first TV job.
When I'm 18, I can finally order that paid programming stuff on TV. Like it always says, 'Must be 18 or older to call,' so I'll be able to call! I can finally buy some blenders from the TV.
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