A Quote by David Olusoga

I am as much British, white and working class, my mother's background, as I am black and Nigerian, my father's heritage. — © David Olusoga
I am as much British, white and working class, my mother's background, as I am black and Nigerian, my father's heritage.
I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
I know Im British. I havent spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasnt British, what would I be? I am British.
I know I'm British. I haven't spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasn't British, what would I be? I am British.
I'm grounded in who I am, and I am a confident black man. A confident, Nigerian, black, chocolate man. I'm proud of my heritage, and no man can take that away from me.
My father was a black, working-class man who arrived here with no money in his pocket from Nigeria; my mum came from more of a middle-class background, whose father had prosecuted the Nazis at Nuremberg.
My mother bore me in the southern wild, And I am black, but O! my soul is white; White as an angel is the English child, But I am black as if bereaved of light.
My mother was a teacher, my father was a community organizer. I come from a working class background.
I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy!
When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.
I am an orphan, alone: nevertheless I am found everywhere. I am one, but opposed to myself. I am youth and old man at one and the same time. I have known neither father nor mother, because I have had to be fetched out of the deep like a fish, or fell like a white stone from heaven. In woods and mountains I roam, but I am hidden in the innermost soul of man. I am mortal for everyone, yet I am not touched by the cycle of aeons.
I think I was eight the first time I saw the Benin bronzes. I was taken to see them at the British Museum by my white, British mother, who felt it important that her half-Nigerian children learned about the artistic achievements of their forefathers. I've been entranced by them ever since.
My background is: I'm a Black man in America, victim of police brutality, victim of institutional racism, working-class from working-class roots.
I was brought up in a strong working-class community by working-class parents and relations until I was 18, and that's what I really am. Now all sorts of things have been added, but that's what I am.
The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.
Just looking at me, I am a Black man. Born and bred, through and through. But I am also a lot of things. I am a father. I am a husband. I am a Christian. I am a comic book geek and I'm a creator.
I'm very proud to be black, but black is not all I am. That's my cultural historical background, my genetic makeup, but it's not all of who I am nor is it the basis from which I answer every question.
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