A Quote by David Olusoga
What we're seeing is a backlash against any attempt, whether from the world of scholarship or popular culture, to paint non-white people back into the British past. Those of us who write about this history have long been familiar with this.
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Armed struggle is a necessary and morally correct form of resistance in the Six Counties against a government whose presence is rejected by the vast majority of the Irish people There are those who tell us that the British government will not be moved by armed struggle. As has been said before, the history of Ireland and of British colonial involvement throughout the world tells us that they will not be moved by anything else.
Because of the long, long history of British shipping, immigration, trade, empire, missionaries, you can have a better shot at telling a worldwide story in the British Museum's collection than any other. Britain has been more connected with the rest of the world than any other country, for longer.
The question of whether world peace will ever be possible can only be answered by someone familiar with world history. To be familiar with world history means, however, to know human beings as they have been and always will be. There is a vast difference, which most people will never comprehend, between viewing future history as it will be and viewing it as one might like it to be. Peace is a desire, war is a fact; and history has never paid heed to human desires and ideals.
The first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history. Then have somebody write new books, manufacture a new culture, invent a new history. Before long that nation will begin to forget what it is and what it was... The struggle of man against power is the struggle of memory against forgetting.
I think that voodoo as a spiritual tradition has been demonized for so long in popular culture. I wanted to write against that and write a character who practiced that spiritual tradition who was not evil and intent on creating zombies or causing pain through voodoo dolls or whatever.
There was a backlash against elites, a backlash against those who were telling Americans what is important to them.
It is fashionable to scoff at Americans, but they routinely produce most of the important and ground-breaking entertainment in the world. 'Popular culture' is still culture, Shakespeare was once as popular as any of today's icons with the common people.
There's a toxicity within gaming culture, and also in tech culture, that drives this misogynist hatred, this reactionary backlash against women who have anything to say, especially those who have critiques or who are feminists.
All of women's aspirations--whether for education, work, or any form of self-determination--ultimately rest on their ability to decide whether and when to bear children. For this reason, reproductive freedom has always been the most popular item in each of the successive feminist agendas--and the most heavily assaulted target of each backlash.
Is Donald Trump a fascist? It's an interesting question that has generated insightful commentary over the past few months, with the best answers situating Trumpian illiberalism within America's long history of racial oppression, slavery, Jim Crow apartheid, and the ongoing backlash to the loss of white privilege.
Every time a militant Islamist terrorist shoots somebody up, what does Barack Obama do and the Democrats? They come out and they demand that there be no backlash against Muslims. So any time a police officer shoots a black suspect - without knowing why, without knowing the circumstances - why doesn't Obama stand up and warn against a backlash against cops? If we are to guard against backlash against Muslim shooters, where is the sameness?
If you watch any show that stars white people, white people aren't coming up to them like, 'Thank you for showing my face on the big screen.' Because they see their faces in popular culture all the time.
You grow the fastest by getting... adopting ideas and technologies from other cultures. And that has been proven in history, time and time again. Whether you go back to the ancient Persians, or the Romans, or the Ottomans. It's how a culture grows, by incorporating other ideas and going, wow, how did they do this? Oh, I bet you this works with this, and then you can improve it again. So I think any culture that sort of says, no no no, it's just us, nobody gets in anymore, it's the beginning of atrophy, and the rest of the world will just pass you.
Those of us who obsess over every word and action are constantly recalling past events, but that doesn't make them any less painful, nor does it help us transcend them. To write memoir, you have to not only recollect past events, you have to revisit them. You have to get back to the mental and emotional state you were in during those events.
What we're seeing now is not just a backlash against feminism. When you look at guys like [Jesse] Helms in the '80s or even Reagan and Bush, there was a real political backlash against feminism. This is different. This is a parodic recreation of the destruction of traditional masculinity. Look at these hollow men. Look at Steve Bannon who wears sweat pants, who doesn't shave. Or Yiannopoulos who is just a clown. This is toxic masculinity. It's new. To see it as a return to the past is a mistake. It's the breakdown of traditional masculinity, rather than its retrenchment.
American popular culture has long been marked by an absence of empathy for American Indians. Westerns doubled as a campaign against so-called savages in a way that desensitized us to the savages we'd become.
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