A Quote by David R. Ellis

It was great. I mean, it's a blast directing underwater stuff. — © David R. Ellis
It was great. I mean, it's a blast directing underwater stuff.
Directing is not about gender. Directing is individual to the actual individual. From woman to woman, directing is completely different. It's about giving more than half the population a chance to express themselves, you know what I mean? It doesn't always mean it's going to be more sensitive.
There are certain things that you can blast through a stereo. You can blast hip-hop. You can blast heavy metal. You can't blast 'All Things Considered.'
I wrote and directed a movie called 'Two - Bit Waltz'. We just wrapped. It was a blast, blast, blast.
I typically shoot underwater with my regular camera in an underwater housing, and then I usually have two big strobes that I use to light. But with whales, you're not going to be able to really light a 45-foot subject. Your strobes are only effective for maybe five or six feet underwater.
I have a suspicion, because if you look at the whole, all the [Star Wars ] movies, the backlog of every one of these movies, there's a lot of great stuff, but one might not be not as good with the writing in this or the acting in that or the directing in that, this has great actors, great directors, great script, and I really feel like we're gonna make the best one [movie with Young Han Solo].
Directing's the best part. Whenever I've directed something, there's this feeling of demand and focus that I like. And secondly, it means that you've gotten through all the writing stuff, and the producing stuff, and casting, and prep, and all those stages that are seemingly endless. So directing is sort of the reward for all the work you put in before. And then there's the editing, which is another amazing stage of the process. It's incredible the moments you can create.
I had to pretend to drown. I was underwater, which is scary, and I'm not afraid of water, but people do die underwater.
I swam underwater for 50 meters at a time and walked the length of the pool underwater, with a brick in each hand, all on a single breath.
Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things with film, I got more interested in composition.
Just because you have stopped sinking doesn't mean you're not still underwater.
It would be a great vacation to act in a movie if I weren't directing it. But to do it while you're directing interferes with your concentration, and I wouldn't do that again.
Sea Hunt was the first time anyone tackled a show that took place underwater. The stories were sort of exciting for kids, like cops and robbers underwater.
I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.
I think for writers who write that kind of stuff, they want to make changes. Look at Kris Kristofferson and Dylan. I mean, whole generations come along liking that stuff and that's great.
To be honest, nobody was running after me with roles, so there also came a time when I did neglect the acting side and was keen on directing and pursuing that. People got this impression, 'She's directing, not acting,' stuff like that.
I'm kind of a failure. I mean, I'll be honest. I'm successful in that I'm getting to work on great stuff, but I think I'm a failure in all the personal stuff that is most important to me.
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