A Quote by David R. Ellis

So then I started doing a lot of episodic TV, just car chases or helicopter chases or whatever. — © David R. Ellis
So then I started doing a lot of episodic TV, just car chases or helicopter chases or whatever.
Al Sharpton chases the spotlight the way Obama chases golf balls
Controversy chases the Russian writer Vladimir Sorokin the way a dog chases a stick.
My novels are about the European reality, not about chases. You want chases, get somebody else's books.
Science chases money, and money chases its tail, and the best minds of my generation cannot make bail.
I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.
Car chases are as painstaking to make as they are fun to watch. They take a lot of time, and you have to keep the energy up.
I want do some kind of action movie, car chases and explosions.
I wanted to send a message to the television industry that excitement is not made of car chases.
The challenge in most car chases is you're trying to hide the fact that it's not the actor driving.
If you ever watch police chases on, like, helicopter cams, they very quickly become nightmarish when you start to see the police coming in from the edge of the frame. I always find that terrifying.
Car chases usually don't involve major criminals - they're usually guys afraid of getting another traffic ticket.
Part of the fun of writing is having messages. Without them, it's all gunfights and car chases, and none of it means anything.
I accept the Old Testament as more of an action movie: blood, car chases, evacuations, a lot of special effects, seas dividing, mass murder, adultery. The children of God are running amok, wayward. Maybe that's why they're so relatable.
Characters in Hollywood movies encounter a lot of car chases. Characters in novels rarely wash their hands or do their laundry. And in the work of moral psychologists, people deliberate and reflect a lot. They deliberate, one sometimes feels, whenever they perform an action, and certainly whenever they act for good reasons.
And that doesn't cost any money, to have decent relationships and viable situations. What costs money is car chases and shoot-outs, so I always thought that the thing to work on was the characters.
During my addled career as a trout fisherman I have gone on a lot of wild-goose chases, and I ruefully expect to go on a lot more before I hang up my waders
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