A Quote by David Roberts

People say 'Why do you make pots?' Because I'm compelled to - life isn't right without it. — © David Roberts
People say 'Why do you make pots?' Because I'm compelled to - life isn't right without it.
I'm striving to make things which are the most exciting things I can make that will fit in people's homes. And in that respect, working on the wheel is economically about the only answer I know, because one can, as Leach said, make 50 pots in a day. You can make 100 pots in a day. A really good potter can make 400 pots in a day.
In looking at these pots at the Field Museum, Alix [MacKenzie] and I both came to a conclusion individually but also collectively that the pots that really interested us were the pots that people had used in their everyday life, and we began to think - I mean, whether it was ancient Greece or Africa or Europe or wherever, the pots that people had used in their homes were the ones that excited us.
Looking back on it now, I understand why that was not possible [to express ourselves], because the pottery employed a dozen people, not all of whom are making pots. And these people had families, children, and they had to have a wage that would allow them to raise their family and they had to get a paycheck every Friday afternoon. So if we had not made pots that would sell it, would not have been possible for these people to be employed.
I make a lot of pots in a year's time and some of them are good and some of them are mediocre and some of them are bad. If they're really bad and I'd be ashamed of them, I throw them out, but if they're mediocre and they'll serve the purpose for which they're designed, that is, a mixing bowl or a soup bowl or a plate or whatever, I sell them. And this income from the sale of these pots permits me to go on and make other pots. It's even more important now that I've quit teaching, because I do not have a teacher's salary to fall back on.
What's now shocking is I can't say anything publicly without it having a life. Not because I have extraordinary views but because people are keen on conflict, so they'll make that the story.
Why do I write? I write because I have to, because it is all I know, because it is my truth, because I am compelled, because I am driven to make the world acknowledge that women like me exist, and we possess a dangerous wisdom.
Why do you write?' Because I love words and stories so much. Because I would be grief stricken every day of my life if I couldn't write. Because I'm obsessed and compelled. Because I'd be utterly useless at anything else.
Some people say I make mistakes. I just say that this is the secret of enjoying life. I hate monotony. Why don't they leave me freedom of choice? People want to impose choices which aren't necessarily mine. That's the mistake people make.
You learn, right, a lot of people's problems - why they get upset, why they get down, why they turn to drink - is because they can't say one word and it's N-O, no.
I think back to some of the pots we made when we first started our pottery, and they were pretty awful pots. We thought at the time they were good; they were the best we could make, but our thinking was so elemental that the pots had that quality also, and so they don't have a richness about them which I look for in my work today. Whether I achieve it all the time, that's another question, because I don't think a person can produce at top level 100 percent of the time.
If loyalty is, and always has been, perceived as obsolete, why do we continue to praise it? Because loyalty is essential to the most basic things that make life livable. Without loyalty there can be no love. Without loyalty there can be no family. Without loyalty there can be no friendship. Without loyalty there can be no commitment to community or country. And without those things, there can be no society.
I tell you why I don't think I will ever vote for a Democrat, if I may say so. Because for me, the number one issue is right to life, and I don't think the Democrats are very good on the right-to-life issue.
Why does one want to walk wings? Why force one's body from a plane to make a parachute jump? Why should man want to fly at all? People often ask these questions. But what civilization was not founded on adventure, and how long could one exist without it? Some answer the attainment of knowledge. Some say wealth, or power, is sufficient cause. I believe the risks I take are justified y the sheer love of the life I lead.
I want my hands in all the pots and not just one. I want to make the right moves that'll put me in the right place.
I've heard people say that they cling to their painful thoughts because they're afraid that without them they wouldn't be activists for peace. "If I feel peaceful," they say, "why would I bother taking action at all?"
We never had a catalogue; we never said we were going to duplicate these pots this year and next year and the year after that and so forth. We did make many pots which were repeated, but we allowed them to change and to grow as we changed and grew, and I think that was the big difference. And that's all right; we were working for ourselves. We didn't have anybody we had to pay.
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