A Quote by David Slade
I don't do commentaries on films because A) I'm not very good at it and B) it's an odd thing that I discovered, on my first film, that you go through this really intense experience of making a film and then you sit in a little room with a monitor and you reduce the thing to a bunch of silly anecdotes. It's really unfulfilling and I've never really enjoyed listening to them anyway, so I just don't do them.
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I don't think there is really a favorite, I'm very fond of film making as a whole and as a medium and of course, there are some that I've enjoyed making more than others but I've enjoyed making all of them.
These films however, have ambiguity built into them, because it's too easy in film to make a strident work of propaganda or advertising, which are really the same thing anyway, meaning the message is unmistakable.
Theater is such a different ballgame than film. And that's really why I stayed in film, because I really love the reality of connecting with your own feelings, and really putting that across in a realistic way. In film, the smallest muscular movements in your face, that are produced just by sheer feelings, you're not controlling them in anyway, can be seen by people in the audience because your face is sometimes, frighteningly, 40 feet wide!
I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.
I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."
The really good thing about using people who are really green is that you don't have to erase a bunch of bad habits and then put good ones in. You can just start feeding them good habits.
As soon as I got my proper first job, I never did acting again. I think the last thing I did was a Mike Figures film, and then I got a series with the BBC. I'm glad of the experience, because I think it's very, very good to understand what actors go through.
Theater is just so much more satisfying than film or television just because you deliver the whole thing from start to finish in one evening, and you can tell if people have enjoyed it or not. That's great to do every night to go in front of a full room of people and tell the story. There's nothing like that really.
I loved making The Imitation Game and it's really gratifying to hear the audience's response to the character that I play. It was just a little thing that I did because I really liked the film and I liked Benedict [Cumberbatch] and I loved Morten's [director Morten Tyldum] previous film, Headhunters. For me, it was something I did thinking, "Wow, this is a lovely quality piece of work."
When I was younger, making films was so all-consuming. It was a life-or-death thing. Films still mean so much to me when I'm making them. So I had to get away from that attitude of living or dying with every film, because otherwise you'll go insane.
When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
It's one of the most beautiful things in the world, to go off and make a film. At the heart of it, making a film - it's pretend. It's a silly thing to do. But it can be important, and to have that experience with people you love is one of the best things you can do.
I don't want people to sit there and objectively watch the film. I want them to experience it as something that's under their skin, so you try to make the films really tactile.
I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
The thing I really love about film is there's a really big sense of teamwork, and everyone has to do their job to the best of their ability to make the film work in the first place.
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