A Quote by David Slade
Film becomes a living organism. After awhile, it begins to tell you what it needs and you're usually best listening.
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Film becomes a living organism. After awhile, it begins to tell you what it needs, and you're usually best listening.
When you start a game, you don't think to yourself, "well, OK, I'm going throw a one-hitter today." It just becomes an organism, your outing becomes an organism and it grows.
You forget about it, after awhile. You forget that you even have it on. It becomes part of you. You get used to it, even the teeth and the contacts, which bothered the hell out of me. It ends up being something that is part of the role, and part of the thing that you're doing. After awhile, it just feels pretty damn awesome.
If you were designing an organism to look after life in our lonely cosmos, to monitor where it is going and keep a record of where it has been, you wouldn't choose human beings for the job. But here's an extrememly salient point: we have been chosen, by fate or Providence or whatever you wish to call it. As far as we can tell, we are the best there is. We may be all there is. It's an unnerving thought that we may be the living universe's supreme achievement and its worst nightmare simultaneously.
Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of.
The film's title star, Christian Bale, told me in June that he'd signed a multi-picture contract. When I caught up with Batman Begins ... All I can tell you is, we're talking. There was quite an air of secrecy around the development of 'Batman Begins,' and there will be even more around the development of another film, if they move forward.
A dying organism is often observed to be capable of extraordinary endurance and strength. .. When any living organism is attacked, its whole function seems to aim towards reproduction.
The 'Station to Station' film has been fascinating to create. It feels as though it made itself in a way, and after awhile, the film told us what it needed and began to sculpt itself.
The generation of seeds ... is therefore marvelous and analogous to the other productions of living things. For first of all an umbilicus appears. ... Its extremity gradually expands and after gathering a colliquamentous ichor becomes analogous to an amnion. ... In the course of time the seed or fetus begins to become visible.
... After it has been determined that the pathogenic organism is present in the animal body, and after it has been shown that the organism can reproduce in the body and be transmitted from one individual to another, the most important experiment remains to be done....to determine the conditions necessary for growth and reproduction of the microorganism.
I can't remember faces, don't remember names, but after awhile and a thousand miles it all becomes the same.
I don't go home and pretend I'm August rather than just the actual lines I'm saying in the film. If you do it that way, it makes it more natural and second nature. After awhile you get used to it and there's so much, especially being in New York to film; you're always surrounded by American people.
New York City is a living organism; It evolves, it devolves, it fluctuates as a living organism. So my relationship with New York City is as vitriolic as the relationship with myself and with any other human being which means that it changes every millisecond, that it's in constant fluctuation.
So, after awhile, you can only get so much happiness from a guy who's drunk come up and tell you you're great.
The writing that feels the best to me, I experience sometimes, is a kind of weirdly deep listening - like, it feels like if you just listen hard enough, the next sentence will tell you what it needs to be.
You always want to make the best film you can. If anything I feel more relaxed after the Oscar. I feel like I have a chance to just tell the stories I want to tell and it's actually been really nice.
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