A Quote by David Slade
I believe the most interesting thing to look at in the world is the human face, so that is why I tend to be a little closer to human faces than maybe other directors will be.
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The thing about the human face is that we're so genetically programmed to recognize differences in human faces that, when you're digitally affecting faces, you have to be the most careful because even the smallest adjustment and it feels like it just isn't him anymore.
I don't want to be like other authors and say that there are only a few story lines in literature. A story is like a human face. We have as many stories as human faces. You might have similar facial features, but they're all a little different.
The experience I'm talking about has given me one certainty: the salvation of this human world lies nowhere else than in the human heart, in the human power to reflect, in human meekness and in human responsibility. Without a global revolution in human consciousness, nothing will change for the better, and the catastrophe toward which this world is headed will be unavoidable.
Nothing will have more impact on the future of the world than for each of us to find out why we were born and to do it. Human beings tend to do this when parents, teachers and other mentors invite us to it.
Faces are the most interesting things we see; other people fascinate me, and the most interesting aspect of other people - the point where we go inside them - is the face. It tells all.
In real life people fart, in the movies, people don't. Why not? Farts are a repressed minority. The mouth gets to say all kinds of things, but the other place is supposed to keep quiet. But maybe our lower colons have something interesting to say. Maybe we should listen to them. Farts are human, more human than a lot of people I know. I think we should bring them out of the water closet and into the parlor.
Just as a human soul that faces great difficulties also faces great opportunities for spiritual growth, so a human society that faces destruction also faces the opportunity to enter a period of renaissance. I think that, barring an accident, the wish to survive will keep us from a nuclear war.
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
It's my job to look at other people's humanity and it's my job to, 24/7, look at my life and listen to everything everyone says, watching their faces, the little idiosyncratic aspects of human beings - it's like a sponge, I take it in.
Now, I believe in life, and I believe in the joy of human existence, but these things cannot be experienced except as we also face the despair, also face the anxiety that every human being has to face if he lives with any creativity at all.
I think to an extent every human being needs to be redeemed somewhat or at least needs to look at themselves and say, 'I've made mistakes, I'm off course, I need to change.' Which is probably the hardest thing for a human being to do, and maybe that's why it interests me so.
We are human, and nothing is more interesting to us than humanity. The appeal of literature is that it is so thoroughly a human thing — by, for and about human beings. If you lose that focus, you obviate the source of the power and permanence of literature.
Maybe war is an inevitable product of human nature. Maybe to get rid of war, we have to become something other than human.
No religion I ever encountered made any sense. None are consistent. Most gods are megalomaniacs and paranoid psychotics by their worshippers' description. I don't see how they could survive their own insanity. But it's not impossible that human beings are incapable of interpreting a power so much greater than themselves. Maybe religions are twisted and perverted shadows of truth. Maybe there are forces which shape the world. I myself have never understood why, in a universe so vast, a god would care about something so trivial as worship or human destiny.
A DIVINE IMAGE Cruelty has a human heart, And Jealousy a human face; Terror the human form divine, And Secresy the human dress. The human dress is forged iron, The human form a fiery forge, The human face a furnace sealed, The human heart its hungry gorge.
Most directors, I discovered, need to be convinced that the screenplay they're going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, 'Why am I out there looking for directors?'—because you look at a list of directors, it's all boys. It certainly was when I started as a screenwriter. So I thought, 'I'm just gonna become a director and that'll make it easier.'
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