A Quote by David Slade
My agent and manager would sternly tell me exactly the number of projects that we've turned down at this point. But, I think it's really important to do the right thing next.
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Write down the most important things you have to do tomorrow. Now, number them in the order of their true importance. The first thing tomorrow morning, start working on an item Number 1, and stay with it until completed. Then take item Number 2 the same way. Then Number 3, and so on. Don't worry if you don't complete everything on the schedule. At least you will have completed the most important projects before getting to the less important ones.
I laugh at it now, but one time I had an agent tell me I would never work in TV if I didn't get a nose job. People tell you to change yourself to fit into the L.A. scene, but the advice usually doesn't make any sense. The next agent told me my nose was great!
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
It's really hard to get a coffee with someone. I have to call my agent, my agent calls their agent, their agent calls their manager, the manager calls back, the actor sends someone to the manager... then you get, 'Yeah, yeah, I'd love to have dinner at six,' and all I wanted was coffee! It can take, like, six days to get coffee.
The number of Pelosi allies who have come to me and told me to back off, that I'm not doing the right thing, is exactly zero. The number of members of the caucus who voted for her, who have checked to see who was listening and then patted me on the back and then said, 'Keep going Seth, you're doing the right thing,' is literally dozens.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
The thing that's really kept me on my toes is how my mom would always tell me - it's not the best thing for a mother to tell you - but she'd never tell me after I'd lose a soccer game, 'You'll do better next time.' She'd always say, 'There's always somebody better.'
I don't even have an agent or manager, but rather have a number of associates who I turn to when needed; or conversely when they hear of someone looking for me they'll contact me.
If I'm walking down the riverbank, and a man is drowning, even if I don't know how to swim very well, I feel this urge that the right thing to do is to try to save that person. Evolution would tell me exactly the opposite: preserve your DNA. Who cares about the guy who's drowning?
Let me tell you girls the three most important things I learned about life: Number one: Hold fast to your friends; number two: There's no such thing as security; and number three: Don't go see 'Ishtar.'
Movies cost so much that studios really try to impose their personality over yours. A lot of times, you can get swallowed up in that and end up making movies that are indistinguishable from anybody else's. One of the things I've always tried to do is to inject myself as much as possible into the movie, so I feel like it's mine. But that also comes from what you choose to do and what you choose not to do. There are certain projects I could have said yes to, and I know exactly how they would have turned out: exactly the way they turned out when someone else did them.
Well, one measure of a good life, I think, is to be engaged in projects that one thinks are meaningful and worthwhile. So I would put the emphasis of a good life on activity, on the walk rather than the destination, and I think that most of the things that any of us do that are really valuable and really important are projects that we really shouldn't expect to be completed in our lifetime because if they could completed in our lifetime, they probably wouldn't be so important that we should devote our lives to them.
I never... it's a hard thing: when I think about projects, I don't come off something and go, 'I really want to make a sci-fi film next,' or 'I really want to do a political thriller next.' It's really coming across - I'm really fascinated, partly by world building, but also about the character and what the journey is.
I made a decision to live outside the city in northern California. My agent said to me, 'Kid, you're going to make a mint in television movies.' He positioned me, and we picked really good projects, and I cornered that market. They were 20-day projects.
Poetry is a lousy form of activism; it doesn't really change much. And maybe we can point to one or two historical times when a poem has started a revolution or a rebellion or an uprising, but it doesn't happen that often, and if you put the number of poems next to the number of political acts, it would be pretty slim.
I had been struggling to get roles in Hollywood for three and a half years after leaving the WWE. Then I finally got an agent - the agent I have now. He's a great guy, but he turned me down three times before he even decided to take me on a as a client.
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