With 'Cold Skin,' I believe we can create a lasting psycho-physiological horror film. It is one of the most atmospheric, terrifying, cinematic, and original stories of the human spirit.
The most terrifying thing I ever saw in a cinema, thanks to the carefully built-up drama, was in the ancient black-and-white film 'The Innocents,' based on Henry James's 'The Turn Of The Screw.' My skin actually crawled with horror.
I dreamed of being a part of the stories—even terrifying one, even horror stories—because at least the girls in stories were alive before they died.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity.
I believe, as a producer/director, your duty is to create a beautiful horror film that really resonates.
The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
There are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. Look at Alfred Hitchcock and Psycho. Nobody wanted to make Psycho; it was crap to them. The only person that wanted to make Psycho was Hitchcock. Now, it's considered a classic and a work of art.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
I love the horror genre for how cinematic it is. I gravitated, I think, initially, toward the horror genre because, of all the genres, I think it is the genre that is most friendly to the subject matter of faith and belief in religion.
'The Conjuring' is incredibly effective and scary without the use of blood, gore, and death. It's a horror film that emphasizes atmosphere and suspense in the tradition of classics like 'Psycho' or 'The Others.'
I think the Chainsaw remake is very good and captures the spirit of the original film. It's true to the tone of the original, to the point that it's almost a companion piece.
I think the Chainsaw remake is very good and captures the spirit of the original film. It's true to the tone of the original, to the point that it's almost a companion piece
The psycho-physiological hypothesis is both inductively and deductively the sine qua non of the science of psychology.
Purely cinematic film ... actually the purest expression of a cinematic idea.
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
The science of pure mathematics, in its modern developments, may claim to be the most original creation of the human spirit.