A Quote by David Slade
Suspense is a real tough beast in terms of the filmmaking.
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I'm a big fan of suspense and tension filmmaking, and that was my goal with 'The Conjuring.'
In my experience, growing up in Brooklyn and all that, the real tough guys didn't act tough. They didn't talk tough. They were tough, you know? I think about these politicians who try to pose as tough guys - it makes me laugh.
Filmmaking is about moments. In real life, things might take six months, a year, but [in filmmaking] you have to create the moment where it happened.
That's the magic of filmmaking, to draw the audience into an exotic world and keep them there and keep the suspense.
Actually I made only one out-and-out horror picture, 'The Beast with Five Fingers,' though I have done a lot of suspense and mystery films, of course.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
Narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verité is film in its purest form. You're taking random images and creating meaning out of random images, telling a story, getting meaning, capturing something that's real, that's really happening, and render this celluloid sculpture of this real thing. That's what really separates the power of doc filmmaking from fiction.
[Show] business is tough. You never know who or what's real. It's tough when you get in this business, if you have no grounded foundation other than Hollywood, because this business isn't real. We're getting paid to do what we love, but it isn't real.
I directed a short series for Hulu called 'Paloma,' and being in an editing room, I learned a lot about acting. It gave me a new bolt of energy in terms of my interest in filmmaking because it made me realize how collaborative filmmaking can be and also that you're not just limited to one job.
Beast?" Jane murmured. "Then God make me a beast; for, man or beast, I am yours.
Superstition changes a man to a beast, fanaticism makes him a wild beast, and despotism a beast of burden.
A beast does not know that he is a beast, and the nearer a man gets to being a beast, the less he knows it.
Jekyll and Hyde, in particular, is such an important novel in terms of suspense and setting a perfect scene for crime
I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
On just a personal level, since I was little, I've loved fairytales, especially this one, because it is about what goes into making a beast a beast. Do you start as a beast? Do you turn into a beast because of the way that people treat you? I think it's something that is really universal and hit a chord with me when I was little, and so, hopefully we can explore some of that.
Before I became a suspense novelist, I wrote romantic suspense as Alicia Scott.
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