A Quote by David Starkey
When you look at the history of the monarchy, there's one period that stands out where it is held in universally, awe-inspired reverence and esteem. It's not Henry VIII, its certainly not Victoria; it's the first 70 years of the 20th century.
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In the early 20th century the monarchy was held up as the archetypical virtuous British family. In the late 20th century it became the most wonderful symbol of the complete re-engineering of family structures.
The mighty edifice of Government science dominated the scene in the middle of the 20th century as a Gothic cathedral dominated a 13th century landscape. The work of many hands over many years, it universally inspired admiration, wonder and fear.
Of course I had written a film about Elizabeth I, and I loved the Tudor period, and I think at the time Working Title and I had debated on whether to do Elizabeth I or Henry VIII. I'd always wanted to do Henry VIII. Like Elizabeth, I'd had this feeling that it had never properly been addressed.
There was engrained poetry and then when you look back at our history and in the 20th century, the last century, probably the greatest writers of the 20th century were Irish. It became our only weapon, was our poetry, our music.
I just walk how I walk. But I am also really inspired by the physical drama in silent films from the beginning of the 20th century - it's ice cold and unreachable, like the stare of a sniper! I guess this look is something new that I brought into the world of fashion: a dark and dramatic, 19th century Russian literature and drama inspired look.
There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.
In the 20th century, in the darkest period of German and European history, an insane racist ideology, born of neopaganism, gave rise to the attempt, planned and systematically carried out by the regime, to exterminate European Jews. The result has passed into history as the Shoah.
The wives of Henry VIII are too big to be left to chick lit. Their importance is the impact they have on the broad history of the period. On the lives of every man and every woman who lived in England then, and subsequently has lived in England.
I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or art even, if you say that, of the 20th Century. It's been film. It's the 20th Century's real art form.
Most of the version of Tudor history we know is through the eyes of Henry VIII.
It's fun to sentimentalize the 20th-century lifestyle and the 20th-century brain, but it helps nobody, it makes you look ancient, there's no going back, and you'd be miserable if you did.
Constitutionally, a revising chamber is useful and important. The first occasion I know of in history when the Lords fulfilled this role was in 1539 when Henry VIII's act of proclamations was neutered by their lordships so effectively that the Act was repealed in 1547.
I think certain periods of history don't get dealt with because I think historians, and it's their job, but they look back and look for patterns. They look for sequences and they look for reasons, and certain periods of history don't fit with the general pattern of 1500 to the 20th century, during which there's the creation of the United States.
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
The Holocaust was an obscene period in our nation's history. I mean in this century's history. But we all lived in this century. I didn't live in this century.
Big machines are the awe-inspiring cathedrals of the 20th century.
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