A Quote by David Starkey
At the top, successful blacks, like David Lammy and Diane Abbot, have merged effortlessly into what continues to be a largely white elite: they have studied at Oxbridge and gone on to Oxbridge-style careers, such as that of an MP. But they have done so at the cost of losing much of their credibility with blacks on the street and in the ghettos.
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I was on a panel with light skinned Blacks and a famous gay science fiction writer, who were complaining about how Blacks are against gays and light skinned Blacks and how intolerant Blacks are of different groups. My position was that Blacks were among the most humanistic, tolerant groups in the country and that across the street from my house in Oakland was one inhabited by White gays.
In elite, primarily white institutions, there are many blacks who have white wives. So much so that sometimes there is almost the assumption that I would be married to a white woman.
What I can't understand why Blacks can't achieve royal status when it comes to forms that they have largely created? I mean there's a White King of Rock n' Roll, there's a White King of Jazz, how come we can never achieve titles of royalty in these fields we are supposed to prevail in? They held a so called Rock and Roll Hall of Fame the other night, where White judges credit people who resemble them with the invention of Rock and Roll. I didn't even see Blacks in the audience.
For most Black people there is still poverty and desperation. The Ghettos still exist, and the proportion of Blacks in prison is still much greater than Whites. Today, there is less overt racism, but the economic injustices create an "institutional racism" which exists even while more Blacks are in high places, such as Condoleeza Rice in Bush's Administration and Obama running for President.
Listen to David Lammy, an archetypal successful black man. If you turn the screen off so that you are listening to him on radio you would think he was white.
White liberals are the most racist people there are, because they put blacks in a box and insist that they think one way - and if they don't, they attack them as illegitimate, all the while denying that their policies destroy blacks.
Given the historical power differential between blacks and whites, blacks are required to be attentive to the way their white counterparts see themselves in relation to people of color if they want to survive and even thrive.
Jim Crow laws stripped blacks of basic rights. Despite landmark civil rights laws, many public schools were still segregated, blacks still faced barriers to voting, and violence by white racists continued. Such open racism is mostly gone in America, but covert racism is alive and well.
I never, with my eyes, saw the mistreatment of any black person. Not once. Where we lived was all farmers. The blacks worked for the farmers. I hoed cotton with them. I'm with the blacks, because we're white trash.
Many whites, even white Southerners told me that even though it may have seemed like the blacks were being freed (by my actions) they felt more free and at ease themselves. They thought that my action didn't just free blacks but them, too.
My decision to destroy the authority of the blacks in Saint Domingue (Haiti) is not so much based on considerations of commerce and money, as on the need to block for ever the march of the blacks in the world.
In Baton Rouge, blacks have always been looked at differently from other races, and the blacks who are fortunate, don't express themselves like I do.
What's that one that people seem to like so much? 'Fleabag.' I watched that and it was that sort of Oxbridge 'Oh, I'm so clever and witty, aren't I?' I don't like that stuff. But then I don't like 'Mrs Brown's Boys' either. I like things that are clever but hide it.
A new poll shows that Senator Kerry's support in the South is strongest amongst blacks. Kerry's appeal to Southern blacks is obvious. He is a white man who lives far, far away.
After the Civil War, when blacks fought along whites to secure freedom for all, southern states enacted Black Codes, laws that restricted the civil rights and liberties of blacks. Central to the enforcement of these laws were the stiff penalties for blacks possessing firearms.
Broadway musicals like 'Ain't Misbehavin',' 'Eubie' and 'Bubblin' Brown Sugar' depict blacks having a light, wonderful time and that was just not so for blacks in the '20s and '30s.
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